Search Results: "phil"

29 April 2023

Simon Josefsson: How To Trust A Machine

Let s reflect on some of my recent work that started with understanding Trisquel GNU/Linux, improving transparency into apt-archives, working on reproducible builds of Trisquel, strengthening verification of apt-archives with Sigstore, and finally thinking about security device threat models. A theme in all this is improving methods to have trust in machines, or generally any external entity. While I believe that everything starts by trusting something, usually something familiar and well-known, we need to deal with misuse of that trust that leads to failure to deliver what is desired and expected from the trusted entity. How can an entity behave to invite trust? Let s argue for some properties that can be quantitatively measured, with a focus on computer software and hardware: Essentially, this boils down to: Trust, Verify and Hold Accountable. To put this dogma in perspective, it helps to understand that this approach may be harmful to human relationships (which could explain the social awkwardness of hackers), but it remains useful as a method to improve the design of computer systems, and a useful method to evaluate safety of computer systems. When a system fails some of the criteria above, we know we have more work to do to improve it. How far have we come on this journey? Through earlier efforts, we are in a fairly good situation. Richard Stallman through GNU/FSF made us aware of the importance of free software, the Reproducible/Bootstrappable build projects made us aware of the importance of verifiability, and Certificate Transparency highlighted the need for accountable signature logs leading to efforts like Sigstore for software. None of these efforts would have seen the light of day unless people wrote free software and packaged them into distributions that we can use, and built hardware that we can run it on. While there certainly exists more work to be done on the software side, with the recent amazing full-source build of Guix based on a 357-byte hand-written seed, I believe that we are closing that loop on the software engineering side. So what remains? Some inspiration for further work: Onwards and upwards, happy hacking! Update 2023-05-03: Added the Liberating property regarding free software, instead of having it be part of the Verifiability and Transparency .

27 April 2023

Simon Josefsson: A Security Device Threat Model: The Substitution Attack

I d like to describe and discuss a threat model for computational devices. This is generic but we will narrow it down to security-related devices. For example, portable hardware dongles used for OpenPGP/OpenSSH keys, FIDO/U2F, OATH HOTP/TOTP, PIV, payment cards, wallets etc and more permanently attached devices like a Hardware Security Module (HSM), a TPM-chip, or the hybrid variant of a mostly permanently-inserted but removable hardware security dongles. Our context is cryptographic hardware engineering, and the purpose of the threat model is to serve as as a thought experiment for how to build and design security devices that offer better protection. The threat model is related to the Evil maid attack. Our focus is to improve security for the end-user rather than the traditional focus to improve security for the organization that provides the token to the end-user, or to improve security for the site that the end-user is authenticating to. This is a critical but often under-appreciated distinction, and leads to surprising recommendations related to onboard key generation, randomness etc below.

The Substitution Attack
An attacker is able to substitute any component of the device (hardware or software) at any time for any period of time.
Your takeaway should be that devices should be designed to mitigate harmful consequences if any component of the device (hardware or software) is substituted for a malicious component for some period of time, at any time, during the lifespan of that component. Some designs protect better against this attack than other designs, and the threat model can be used to understand which designs are really bad, and which are less so.

Terminology The threat model involves at least one device that is well-behaving and one that is not, and we call these Good Device and Bad Device respectively. The bad device may be the same physical device as the good key, but with some minor software modification or a minor component replaced, but could also be a completely separate physical device. We don t care about that distinction, we just care if a particular device has a malicious component in it or not. I ll use terms like security device , device , hardware key , security co-processor etc interchangeably. From an engineering point of view, malicious here includes unintentional behavior such as software or hardware bugs. It is not possible to differentiate an intentionally malicious device from a well-designed device with a critical bug. Don t attribute to malice what can be adequately explained by stupidity, but don t na vely attribute to stupidity what may be deniable malicious.

What is some period of time ? Some period of time can be any length of time: seconds, minutes, days, weeks, etc. It may also occur at any time: During manufacturing, during transportation to the user, after first usage by the user, or after a couple of months usage by the user. Note that we intentionally consider time-of-manufacturing as a vulnerable phase. Even further, the substitution may occur multiple times. So the Good Key may be replaced with a Bad Key by the attacker for one day, then returned, and later this repeats a month later.

What is harmful consequences ? Since a security key has a fairly well-confined scope and purpose, we can get a fairly good exhaustive list of things that could go wrong. Harmful consequences include:
  • Attacker learns any secret keys stored on a Good Key.
  • Attacker causes user to trust a public generated by a Bad Key.
  • Attacker is able to sign something using a Good Key.
  • Attacker learns the PIN code used to unlock a Good Key.
  • Attacker learns data that is decrypted by a Good Key.

Thin vs Deep solutions One approach to mitigate many issues arising from device substitution is to have the host (or remote site) require that the device prove that it is the intended unique device before it continues to talk to it. This require an authentication/authorization protocol, which usually involves unique device identity and out-of-band trust anchors. Such trust anchors is often problematic, since a common use-case for security device is to connect it to a host that has never seen the device before. A weaker approach is to have the device prove that it merely belongs to a class of genuine devices from a trusted manufacturer, usually by providing a signature generated by a device-specific private key signed by the device manufacturer. This is weaker since then the user cannot differentiate two different good devices. In both cases, the host (or remote site) would stop talking to the device if it cannot prove that it is the intended key, or at least belongs to a class of known trusted genuine devices. Upon scrutiny, this solution is still vulnerable to a substitution attack, just earlier in the manufacturing chain: how can the process that injects the per-device or per-class identities/secrets know that it is putting them into a good key rather than a malicious device? Consider also the consequences if the cryptographic keys that guarantee that a device is genuine leaks. The model of the thin solution is similar to the old approach to network firewalls: have a filtering firewall that only lets through intended traffic, and then run completely insecure protocols internally such as telnet. The networking world has evolved, and now we have defense in depth: even within strongly firewall ed networks, it is prudent to run for example SSH with publickey-based user authentication even on locally physical trusted networks. This approach requires more thought and adds complexity, since each level has to provide some security checking. I m arguing we need similar defense-in-depth for security devices. Security key designs cannot simply dodge this problem by assuming it is working in a friendly environment where component substitution never occur.

Example: Device authentication using PIN codes To see how this threat model can be applied to reason about security key designs, let s consider a common design. Many security keys uses PIN codes to unlock private key operations, for example on OpenPGP cards that lacks built-in PIN-entry functionality. The software on the computer just sends a PIN code to the device, and the device allows private-key operations if the PIN code was correct. Let s apply the substitution threat model to this design: the attacker replaces the intended good key with a malicious device that saves a copy of the PIN code presented to it, and then gives out error messages. Once the user has entered the PIN code and gotten an error message, presumably temporarily giving up and doing other things, the attacker replaces the device back again. The attacker has learnt the PIN code, and can later use this to perform private-key operations on the good device. This means a good design involves not sending PIN codes in clear, but use a stronger authentication protocol that allows the card to know that the PIN was correct without learning the PIN. This is implemented optionally for many OpenPGP cards today as the key-derivation-function extension. That should be mandatory, and users should not use setups that sends device authentication in the clear, and ultimately security devices should not even include support for that. Compare how I build Gnuk on my PGP card with the kdf_do=required option.

Example: Onboard non-predictable key-generation Many devices offer both onboard key-generation, for example OpenPGP cards that generate a Ed25519 key internally on the devices, or externally where the device imports an externally generated cryptographic key. Let s apply the subsitution threat model to this design: the user wishes to generate a key and trust the public key that came out of that process. The attacker substitutes the device for a malicious device during key-generation, imports the private key into a good device and gives that back to the user. Most of the time except during key generation the user uses a good device but still the attacker succeeded in having the user trust a public key which the attacker knows the private key for. The substitution may be a software modification, and the method to leak the private key to the attacker may be out-of-band signalling. This means a good design never generates key on-board, but imports them from a user-controllable environment. That approach should be mandatory, and users should not use setups that generates private keys on-board, and ultimately security devices should not even include support for that.

Example: Non-predictable randomness-generation Many devices claims to generate random data, often with elaborate design documents explaining how good the randomness is. Let s apply the substitution threat model to this design: the attacker replaces the intended good key with a malicious design that generates (for the attacker) predictable randomness. The user will never be able to detect the difference since the random output is, well, random, and typically not distinguishable from weak randomness. The user cannot know if any cryptographic keys generated by a generator was faulty or not. This means a good design never generates non-predictable randomness on the device. That approach should be mandatory, and users should not use setups that generates non-predictable randomness on the device, and ideally devices should not have this functionality.

Case-Study: Tillitis I have warmed up a bit for this. Tillitis is a new security device with interesting properties, and core to its operation is the Compound Device Identifier (CDI), essentially your Ed25519 private key (used for SSH etc) is derived from the CDI that is computed like this:
cdi = blake2s(UDS, blake2s(device_app), USS)
Let s apply the substitution threat model to this design: Consider someone replacing the Tillitis key with a malicious key during postal delivery of the key to the user, and the replacement device is identical with the real Tillitis key but implements the following key derivation function:
cdi = weakprng(UDS , weakprng(device_app), USS)
Where weakprng is a compromised algorithm that is predictable for the attacker, but still appears random. Everything will work correctly, but the attacker will be able to learn the secrets used by the user, and the user will typically not be able to tell the difference since the CDI is secret and the Ed25519 public key is not self-verifiable.

Conclusion Remember that it is impossible to fully protect against this attack, that s why it is merely a thought experiment, intended to be used during design of these devices. Consider an attacker that never gives you access to a good key and as a user you only ever use a malicious device. There is no way to have good security in this situation. This is not hypothetical, many well-funded organizations do what they can to derive people from having access to trustworthy security devices. Philosophically it does not seem possible to tell if these organizations have succeeded 100% already and there are only bad security devices around where further resistance is futile, but to end on an optimistic note let s assume that there is a non-negligible chance that they haven t succeeded. In these situations, this threat model becomes useful to improve the situation by identifying less good designs, and that s why the design mantra of mitigate harmful consequences is crucial as a takeaway from this. Let s improve the design of security devices that further the security of its users!

18 April 2023

Shirish Agarwal: Philips LCD Monitor 22 , 1984, Reaper Man, The Firm.

PHILIPS PHL 221S8L Those who have been reading this blog for a long time would perhaps know that I had bought a Viewsonic 19 almost 12 years ago. The Monitor was functioning well till last week. I had thought to change it to a 24 monitor almost 3-4 years ago when 24 LCD Monitors were going for around 4k/- or thereabouts. But the monitor kept on functioning and I didn t have space (nor do) to have a dual-monitor setup. It just didn t make sense. Apart from higher electricity charges it would have also have made more demands on my old system which somehow is still functioning even after all those years. Then last week, it started to dim and after couple of days completely conked out. I had wanted to buy a new monitor in front of mum so she could watch movies or whatever but this was not to be. Sp I had to buy an LCD Monitor as Government raised taxes enormously after pandemic. Same/similar monitor that used to cost INR 4k/- today costed me almost INR 7k/- almost double the price. Hooking it to Debian I got the following

$ sudo hwinfo --monitor grep Model Model: "PHILIPS PHL 221S8L" FWIW hwinfo is the latest version

~$ sudo hwinfo --version21.82
I did see couple of movies before starting to write this blog post. Not an exceptional monitor but better than before. I had option from three brands, Dell (most expensive), Philips (middle) and & LG (lowest in prices). Interestingly, Viewsonic disappeared from the market about 5 years back and made a comeback just couple of years ago. Even Philips which had exited the PC Monitor almost a decade back re-entered the market. Apart from the branding, it doesn t make much of a difference as almost all the products including the above monitors are produced in China. I did remember her a lot while buying the monitor as I m sure she would have enjoyed it far more than me but that was not to be

1984 During last week when I didn t have the monitor I re-read 1984. To be completely honest, I had read the above book when I was in the 20 s and I had no context. The protagonist seemed like a whiner and for the life of me I couldn t understand why he didn t try to escape. Re-reading after almost 2 decades and a bit more I shat a number of times because now the context is pretty near and pretty real. I can see why the Republicans in the U.S. banned it. I also realized why the protagnist didn t attempt to run away because wherever he would run away it would be the same thing. It probably is one of the most depressing books I have ever read. To willfully accept what is false after all that torture. What was also interesting to me is to find that George Orwell was also a soldier just like Tolkien was. Both took part and wrote such different stories. While Mr. Tolkien writes and shares the pendulum between hope and despair, Mr. Orwell is decidedly dark. Not grey but dark. I am not sure if I would like to read Animal Farm anytime soon.

The Reaper Man Terry Pratchett It is by sheer coincidence or perhaps I needed something to fill me up when I got The Reaper Man from Terry Pratchett. It was practically like a breath of fresh air. And I love Mr. Pratchett for the inclusivity he brings in. We think about skin color, and what not and here Mr. Pratchett writes about an undead gentleman who s extremely polite as he was a wizard. I won t talk more as I don t really want to spoil the surprise but rest assured everybody is gonna love it. I also read Long Utopia but this is for those who believe and think of multiverses long before it became a buzzword that it is today.

The Firm John Grisham Now I don t know what I should write about this book as there aren t many John Grisham books where a rookie wins against more than one party opposite him. I wouldn t go much into depth but simply say it was worth a read. I am currently reading Gray Mountain. It very much shows how the coal Industry is corrupt and what all it does. It also brings to mind the amount of mining that is done in which Iron is the mostly sought after and done. Now if we are mining 94% Iron then wouldn t it make sense to ask to have a circular economy around Iron but we don t even hear a word about it. Even with all the imagined projections of lithium mining, it would hardly be 10% . I could go on but will finish for now, till later.

12 April 2023

Russ Allbery: Review: The Last Hero

Review: The Last Hero, by Terry Pratchett
Illustrator: Paul Kidby
Series: Discworld #27
Publisher: Harper
Copyright: 2001, 2002
ISBN: 0-06-050777-2
Format: Graphic novel
Pages: 176
The Last Hero is the 27th Discworld novel and part of the Rincewind subseries. This is something of a sequel to Interesting Times and relies heavily on the cast that was built up in previous books. It's not a good place to start with the series. At last, the rare Rincewind novel that I enjoyed. It helps that Rincewind is mostly along for the ride. Cohen the Barbarian and his band of elderly heroes have decided they're tired of enjoying their spoils and are going on a final adventure. They're going to return fire to the gods, in the form of a giant bomb. The wizards in Ankh-Morpork get wind of this and realize that an explosion at the Hub where the gods live could disrupt the magical field of the entire Disc, effectively destroying it. The only hope seems to be to reach Cori Celesti before Cohen and head him off, but Cohen is already almost there. Enter Lord Vetinari, who has Leonard of Quirm design a machine that will get them there in time by slingshotting under the Disc itself. First off, let me say how much I love the idea of returning fire to the gods with interest. I kind of wish Pratchett had done more with their motivations, but I was laughing about that through the whole book. Second, this is the first of the illustrated Discworld books that I've read in the intended illustrated form (I read the paperback version of Eric), and this book is gorgeous. I enjoyed Paul Kidby's art far more than I had expected to. His style what I will call, for lack of better terminology due to my woeful art education, "highly detailed caricature." That's not normally a style that clicks with me, but it works incredibly well for Discworld. The Last Hero is richly illustrated, with some amount of art, if only subtle background behind the text, on nearly every page. There are several two-page spreads, but oddly I thought those (including the parody of The Scream on the cover) were the worst art of the book. None of them did much for me. The best art is in the figure studies and subtle details: Leonard of Quirm's beautiful calligraphy, his numerous sketches, the labeled illustration of the controls of the flying machine, and the portraits of Cohen's band and the people they encounter. The edition I got is printed on lovely, thick glossy paper, and the subtle art texture behind the writing makes this book a delight to read. I'm not sure if, like Eric, this book comes in other editions, but if so, I highly recommend getting or finding the high-quality illustrated edition for the best reading experience. The plot, like a lot of the Rincewind books, doesn't amount to much, but I enjoyed the mission to intercept Cohen. Leonard of Quirm is a great character, and the slow revelation of his flying machine design (which I will not spoil) is a delightful combination of Leonardo da Vinci parody, Discworld craziness, and NASA homage. Also, the Librarian is involved, which always improves a Discworld book. (The Luggage, sadly, is not; I would have liked to have seen a richly-illustrated story about it, but it looks like I'll have to find the illustrated version of Eric for that.) There is one of Pratchett's philosophical subtexts here, about heroes and stories and what it means for your story to live on. To be honest, it didn't grab me; it's mostly subtext, and this particular set of characters weren't quite introspective enough to make the philosophy central to the story. Also, I was perhaps too sympathetic to Cohen's goals, and thus not very interested in anyone successfully stopping him. But I had a lot more fun with this one than I usually do with Rincewind books, helped considerably by the illustrations. If you've been skipping Rincewind books in your Discworld read-through and have access to the illustrated edition of The Last Hero, consider making an exception for this one. Followed by The Amazing Maurice and His Educated Rodents in publication order and, thematically, by Unseen Academicals. Rating: 7 out of 10

7 April 2023

Matthew Palmer: Database Encryption: If It's So Good, Why Isn't Everyone Doing It?

a wordcloud of organisations who have been reported to have had data breaches in 2022 Just some of the organisations that leaked data in 2022
It seems like just about every day there s another report of another company getting hacked and having its sensitive data (or, worse, the sensitive data of its customers) stolen. Sometimes, people s most intimate information gets dumped for the world to see. Other times it s just used for identity theft, extortion, and other crimes. In the least worst case, the attacker gets cold feet, but people suffer stress and inconvenience from having to replace identity documents. A great way to protect information from being leaked is to encrypt it. We encrypt data while it s being sent over the Internet (with TLS), and we encrypt it when it s at rest (with disk or volume encryption). Yet, everyone s data seems to still get stolen on a regular basis. Why? Because the data is kept online in an unencrypted form, sitting in the database while its being used. This means that attackers can just connect to the database, or trick the application into dumping the database, and all the data is just lying there, waiting to be misused.

It s Not the Devs Fault, Though You may be thinking that leaving an entire database full of sensitive data unencrypted seems like a terrible idea. And you re right: it is a terrible idea. But it s seemingly unavoidable. The problem is that in order to do what a database does best (query, sort, and aggregate data), it needs to be able to know what the data is. When you encrypt data, however, all the database sees is a locked box.
a locked box Not very useful for a database
The database can t tell what s in the locked box whether it s a number equal to 42, or a date that s less than 2023-01-01, or a string that contains the substring foo . Every value is just an opaque blob of stuff , and the database is rendered completely useless. Since modern applications usually rely pretty heavily on their database, it s essentially impossible to build an application if you ve turned your database into a glorified flat-file by encrypting everything in it. Thus, it s hardly surprising that developers have to leave the data laying around unencrypted, for anyone to come along and take.

Introducing Enquo I said before that having data unencrypted in a database is seemingly unavoidable. That s because there are some innovative cryptographic techniques that can make it possible to query encrypted data.
Andy Dwyer being amazed Indeed
The purpose of the Enquo project is to provide a common set of cryptographic primitives that implement ENcrypted QUery Operations (ie Enquo ), and integrate those operations into databases, ORMs, and anywhere else that could benefit. The end goal is to provide the ability to encrypt all the data stored in any database server, while still allowing the data to be queried and aggregated. So far, the project consists of these components:
  • the enquo-core library, that implements queryable encrypted integers, dates, and text in Rust and Ruby;
  • a PostgreSQL extension, pg_enquo, that allows PostgreSQL to query encrypted data; and
  • a Rails ActiveRecord extension, ActiveEnquo, that augments ActiveRecord to do the encryption/decryption required.
Support for other languages and ORMs is designed to be as straightforward as possible, and integration with other databases is mostly dependent on their own extensibility. The project s core tenets emphasise both uncompromising security, and a friendly developer experience. Naturally, all Enquo code is open source, released under the MIT licence.

Would You Like To Know More?
Desire to know more intensifies Everyone who uses a database...
If all this sounds relevant to your interests:
  1. If you use Ruby on Rails and PostgreSQL, you re halfway home already. Follow the ActiveEnquo getting started tutorial and see how much of your data Enquo can already protect. When you find data you want to encrypt but can t, tell me about it.
    • If you use Ruby and PostgreSQL with another ORM, such as Sequel, writing a plugin to support Enquo shouldn t be too difficult. The ActiveEnquo code should give you a good start. If you get stuck, get in touch.
  2. If you use PostgreSQL with another programming language, tell me what language you use and we ll work together to get bindings for that library created.
  3. If you use another database server, support is coming for your database of choice eventually, but at present there s no timeline on support. On the off chance that you happen to be a hard-core database hacking expert, and would like to work on getting Enquo support in your preferred database server, I d love to talk to you.

3 April 2023

Russ Allbery: Review: The Nordic Theory of Everything

Review: The Nordic Theory of Everything, by Anu Partanen
Publisher: Harper
Copyright: 2016
Printing: June 2017
ISBN: 0-06-231656-7
Format: Kindle
Pages: 338
Anu Partanen is a Finnish journalist who immigrated to the United States. The Nordic Theory of Everything, subtitled In Search of a Better Life, is an attempt to explain the merits of Finnish approaches to government and society to a US audience. It was her first book. If you follow US policy discussion at all, you have probably been exposed to many of the ideas in this book. There was a time when the US left was obsessed with comparisons between the US and Nordic countries, and while that obsession has faded somewhat, Nordic social systems are still discussed with envy and treated as a potential model. Many of the topics of this book are therefore predictable: parental leave, vacation, health care, education, happiness, life expectancy, all the things that are far superior in Nordic countries than in the United States by essentially every statistical measure available, and which have been much-discussed. Partanen brings two twists to this standard analysis. The first is that this book is part memoir: she fell in love with a US writer and made the decision to move to the US rather than asking him to move to Finland. She therefore experienced the transition between social and government systems first-hand and writes memorably on the resulting surprise, trade-offs, anxiety, and bafflement. The second, which I've not seen previously in this policy debate, is a fascinating argument that Finland is a far more individualistic country than the United States precisely because of its policy differences.
Most people, including myself, assumed that part of what made the United States a great country, and such an exceptional one, was that you could live your life relatively unencumbered by the downside of a traditional, old-fashioned society: dependency on the people you happened to be stuck with. In America you had the liberty to express your individuality and choose your own community. This would allow you to interact with family, neighbors, and fellow citizens on the basis of who you were, rather than on what you were obligated to do or expected to be according to old-fashioned thinking. The longer I lived in America, therefore, and the more places I visited and the more people I met and the more American I myself became the more puzzled I grew. For it was exactly those key benefits of modernity freedom, personal independence, and opportunity that seemed, from my outsider s perspective, in a thousand small ways to be surprisingly missing from American life today. Amid the anxiety and stress of people s daily lives, those grand ideals were looking more theoretical than actual.
The core of this argument is that the structure of life in the United States essentially coerces dependency on other people: employers, spouses, parents, children, and extended family. Because there is no universally available social support system, those relationships become essential for any hope of a good life, and often for survival. If parents do not heavily manage their children's education, there is a substantial risk of long-lasting damage to the stability and happiness of their life. If children do not care for their elderly parents, they may receive no care at all. Choosing not to get married often means choosing precarity and exhaustion because navigating society without pooling resources with someone else is incredibly difficult.
It was as if America, land of the Hollywood romance, was in practice mired in a premodern time when marriage was, first and foremost, not an expression of love, but rather a logistical and financial pact to help families survive by joining resources.
Partanen contrasts this with what she calls the Nordic theory of love:
What Lars Tr g rdh came to understand during his years in the United States was that the overarching ambition of Nordic societies during the course of the twentieth century, and into the twenty-first, has not been to socialize the economy at all, as is often mistakenly assumed. Rather the goal has been to free the individual from all forms of dependency within the family and in civil society: the poor from charity, wives from husbands, adult children from parents, and elderly parents from their children. The express purpose of this freedom is to allow all those human relationships to be unencumbered by ulterior motives and needs, and thus to be entirely free, completely authentic, and driven purely by love.
She sees this as the common theme through most of the policy differences discussed in this book. The Finnish approach is to provide neutral and universal logistical support for most of life's expected challenges: birth, child-rearing, education, health, unemployment, and aging. This relieves other social relations family, employer, church of the corrosive strain of dependency and obligation. It also ensures people's basic well-being isn't reliant on accidents of association.
If the United States is so worried about crushing entrepreneurship and innovation, a good place to start would be freeing start-ups and companies from the burdens of babysitting the nation s citizens.
I found this fascinating as a persuasive technique. Partanen embraces the US ideal of individualism and points out that, rather than being collectivist as the US right tends to assume, Finland is better at fostering individualism and independence because the government works to removes unnecessary premodern constraints on individual lives. The reason why so many Americans are anxious and frantic is not a personal failing or bad luck. It's because the US social system is deeply hostile to healthy relationships and individual independence. It demands a constant level of daily problem-solving and crisis management that is profoundly exhausting, nearly impossible to navigate alone, and damaging to the ideal of equal relationships. Whether this line of argument will work is another question, and I'm dubious for reasons that Partanen (probably wisely) avoids. She presents the Finnish approach as a discovery that the US would benefit from, and the US approach as a well-intentioned mistake. I think this is superficially appealing; almost all corners of US political belief at least give lip service to individualism and independence. However, advocates of political change will eventually need to address the fact that many US conservatives see this type of social coercion as an intended feature of society rather than a flaw. This is most obvious when one looks at family relationships. Partanen treats the idea that marriage should be a free choice between equals rather than an economic necessity as self-evident, but there is a significant strain of US political thought that embraces punishing people for not staying within the bounds of a conservative ideal of family. One will often find, primarily but not exclusively among the more religious, a contention that the basic unit of society is the (heterosexual, patriarchal) family, not the individual, and that the suffering of anyone outside that structure is their own fault. Not wanting to get married, be the primary caregiver for one's parents, or abandon a career in order to raise children is treated as malignant selfishness and immorality rather than a personal choice that can be enabled by a modern social system. Here, I think Partanen is accurate to identify the Finnish social system as more modern. It embraces the philosophical concept of modernity, namely that social systems can be improved and social structures are not timeless. This is going to be a hard argument to swallow for those who see the pressure towards forming dependency ties within families as natural, and societal efforts to relieve those pressures as government meddling. In that intellectual framework, rather than an attempt to improve the quality of life, government logistical support is perceived as hostility to traditional family obligations and an attempt to replace "natural" human ties with "artificial" dependence on government services. Partanen doesn't attempt to have that debate. Two other things struck me in this book. The first is that, in Partanen's presentation, Finns expect high-quality services from their government and work to improve it when it falls short. This sounds like an obvious statement, but I don't think it is in the context of US politics, and neither does Partanen. She devotes a chapter to the topic, subtitled "Go ahead: ask what your country can do for you." This is, to me, one of the most frustrating aspects of US political debate. Our attitude towards government is almost entirely hostile and negative even among the political corners that would like to see government do more. Failures of government programs are treated as malice, malfeasance, or inherent incompetence: in short, signs the program should never have been attempted, rather than opportunities to learn and improve. Finland had mediocre public schools, decided to make them better, and succeeded. The moment US public schools start deteriorating, we throw much of our effort into encouraging private competition and dismantling the public school system. Partanen doesn't draw this connection, but I see a link between the US desire for market solutions to societal problems and the level of exhaustion and anxiety that is so common in US life. Solving problems by throwing them open to competition is a way of giving up, of saying we have no idea how to improve something and are hoping someone else will figure it out for a profit. Analyzing the failures of an existing system and designing incremental improvements is hard and slow work. Throwing out the system and hoping some corporation will come up with something better is disruptive but easy. When everyone is already overwhelmed by life and devoid of energy to work on complex social problems, it's tempting to give up on compromise and coalition-building and let everyone go their separate ways on their own dime. We cede the essential work of designing a good society to start-ups. This creates a vicious cycle: the resulting market solutions are inevitably gated by wealth and thus precarious and artificially scarce, which in turn creates more anxiety and stress. The short-term energy savings from not having to wrestle with a hard problem is overwhelmed by the long-term cost of having to navigate a complex and adversarial economic relationship. That leads into the last point: schools. There's a lot of discussion here about school quality and design, which I won't review in detail but which is worth reading. What struck me about Partanen's discussion, though, is how easy the Finnish system is to use. Finnish parents just send their kids to the most convenient school and rarely give that a second thought. The critical property is that all the schools are basically fine, and therefore there is no need to place one's child in an exceptional school to ensure they have a good life. It's axiomatic in the US that more choice is better. This is a constant refrain in our political discussion around schools: parental choice, parental control, options, decisions, permission, matching children to schools tailored for their needs. Those choices are almost entirely absent in Finland, at least in Partanen's description, and the amount of mental and emotional energy this saves is astonishing. Parents simply don't think about this, and everything is fine. I think we dramatically underestimate the negative effects of constantly having to make difficult decisions with significant consequences, and drastically overstate the benefits of having every aspect of life be full of major decision points. To let go of that attempt at control, however illusory, people have to believe in a baseline of quality that makes the choice less fraught. That's precisely what Finland provides by expecting high-quality social services and working to fix them when they fall short, an effort that the United States has by and large abandoned. A lot of non-fiction books could be turned into long articles without losing much substance, and I think The Nordic Theory of Everything falls partly into that trap. Partanen repeats the same ideas from several different angles, and the book felt a bit padded towards the end. If you're already familiar with the policy comparisons between the US and Nordic countries, you will have seen a lot of this before, and the book bogs down when Partanen strays too far from memoir and personal reactions. But the focus on individualism and eliminating dependency is new, at least to me, and is such an illuminating way to look at the contrast that I think the book is worth reading just for that. Rating: 7 out of 10

28 March 2023

kpcyrd: Writing a Linux executable from scratch with x86_64-unknown-none and Rust

I recently mentioned on the internet I did work in this direction and a friend of mine asked me to write a blogpost on this. I didn t blog for a long time (keeping all the goodness for myself hehe), so here we go. To set the scene, let s assume we want to make an exectuable binary for x86_64 Linux that s supposed to be extremely portable. It should work on both Debian and Arch Linux. It should work on systems without glibc like Alpine Linux. It should even work in a FROM scratch Docker container. In a more serious setting you would statically link musl-libc with your Rust program, but today we re in a silly-goofy mood so we re going to try to make this work without a libc. And we re also going to use Rust for this, more specifically the stable release channel of Rust, so this blog post won t use any nightly-only features that might still change/break. If you re using a Rust 1.0 version that was recent at the time of writing or later (>= 1.68.0 according to my computer), you should be able to try this at home just fine . This tutorial assumes you have no prior programming experience in any programming language, but it s going to involve some x86_64 assembly. If you already know what a syscall is, you ll be just fine. If this is your first exposure to programming you might still be able to follow along, but it might be a wild ride. If you haven t already, install rustup (possibly also available in your package manager, who knows?)
# when asked, press enter to confirm default settings
curl --proto '=https' --tlsv1.2 -sSf https://sh.rustup.rs   sh
This is going to install everything you need to use Rust on Linux (this tutorial assumes you re following along on Linux btw). Usually it s still using a system linker (by calling the cc binary, and errors out if none is present), but instead we re going to use rustup to install an additional target:
rustup target add x86_64-unknown-none
I don t know if/how this is made available by Linux distributions, so I recommend following along with rust installed from rustup. Anyway, we re creating a new project with cargo, this creates a new directory that we can then change into (you might ve done this before):
cargo new hack-the-planet
cd hack-the-planet
There s going to be a file named Cargo.toml, we don t need to make any changes there, but the one that was auto-generated for me at the time of writing looks like this:
[package]
name = "hack-the-planet"
version = "0.1.0"
edition = "2021"
# See more keys and their definitions at https://doc.rust-lang.org/cargo/reference/manifest.html
[dependencies]
There s a second file named src/main.rs, it s going to contain some pre-generated hello world, but we re going to delete it and create a new, empty file:
rm src/main.rs
touch src/main.rs
Alrighty, leaving this file empty is not valid but we re going to walk through the individual steps so we re going to try to build with an empty file first. At this point I would like to credit this chapter of a fasterthanli.me series and a blogpost by Philipp Oppermann, this tutorial is merely an 2023 update and makes it work with stable Rust. Let s run the build:
$ cargo build --release --target x86_64-unknown-none
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
error[E0463]: can't find crate for  std 
   
  = note: the  x86_64-unknown-none  target may not support the standard library
  = note:  std  is required by  hack_the_planet  because it does not declare  #![no_std] 
error[E0601]:  main  function not found in crate  hack_the_planet 
   
  = note: consider adding a  main  function to  src/main.rs 
Some errors have detailed explanations: E0463, E0601.
For more information about an error, try  rustc --explain E0463 .
error: could not compile  hack-the-planet  due to 2 previous errors
Since this doesn t use a libc (oh right, I forgot to mention this up to this point actually), this also means there s no std standard library. Usually the standard library of Rust still uses the system libc to do syscalls, but since we specify our libc as none this means std won t be available (use std::fs::rename won t work). There are still other functions we can use and import, for example there s core that s effectively a second standard library, but much smaller. To opt-out of the std standard library, we can put #![no_std] into src/main.rs:
#![no_std]
Running the build again:
$ cargo build --release --target x86_64-unknown-none
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
error[E0601]:  main  function not found in crate  hack_the_planet 
 --> src/main.rs:1:11
   
1   #![no_std]
              ^ consider adding a  main  function to  src/main.rs 
For more information about this error, try  rustc --explain E0601 .
error: could not compile  hack-the-planet  due to previous error
Rust noticed we didn t define a main function and suggest we add one. This isn t what we want though so we ll politely decline and inform Rust we don t have a main and it shouldn t attempt to call it. We re adding #![no_main] to our file and src/main.rs now looks like this:
#![no_std]
#![no_main]
Running the build again:
$ cargo build
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
error:  #[panic_handler]  function required, but not found
error: language item required, but not found:  eh_personality 
   
  = note: this can occur when a binary crate with  #![no_std]  is compiled for a target where  eh_personality  is defined in the standard library
  = help: you may be able to compile for a target that doesn't need  eh_personality , specify a target with  --target  or in  .cargo/config 
error: could not compile  hack-the-planet  due to 2 previous errors
Rust is asking us for a panic handler, basically I m going to jump to this address if something goes terribly wrong and execute whatever you put there . Eventually we would put some code there to just exit the program, but for now an infinitely loop will do. This is likely going to get stripped away anyway by the compiler if it notices our program has no code-branches leading to a panic and the code is unused. Our src/main.rs now looks like this:
#![no_std]
#![no_main]
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    loop  
 
Running the build again:
$ cargo build --release --target x86_64-unknown-none
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
    Finished release [optimized] target(s) in 0.16s
Neat, it worked! What happens if we run it?
$ target/x86_64-unknown-none/release/hack-the-planet
Segmentation fault (core dumped)
Oops. Let s try to disassemble it:
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Ok that looks pretty from scratch to me . The file contains no cpu instructions. Also note how our infinity loop is not present (as predicted).

Making a basic program and executing it Ok let s try to make a valid program that basically just cleanly exits. First let s try to add some cpu instructions and verify they re indeed getting executed. Lemme introduce, the INT 3 instruction in x86_64 assembly. In binary it s also known as the 0xCC opcode. It crashes our program in a slightly different way, so if the error message changes, we know it worked. The other tutorials use a #[naked] function for the entry point, but since this feature isn t stabilized at the time of writing we re going to use the global_asm! macro. Also don t worry, I m not going to introduce every assembly instruction individually. Our program now looks like this:
#![no_std]
#![no_main]
use core::arch::global_asm;
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    loop  
 
global_asm!  
    ".global _start",
    "_start:",
    "int 3"
 
Running the build again (ok basically from now on the build is always going to be expected to work unless I say otherwise):
$ cargo build --release --target x86_64-unknown-none
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
    Finished release [optimized] target(s) in 0.11s
Let s try to disassemble the binary again:
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Disassembly of section .text:
0000000000001210 <_start>:
    1210:	cc                   	int3
And sure enough, there s a cc instruction that was identified as int3. Let s try to run this:
$ target/x86_64-unknown-none/release/hack-the-planet
Trace/breakpoint trap (core dumped)
The error message of the crash is now slightly different because it s hitting our breakpoint cpu instruction. Funfact btw, if you run this in strace you can see this isn t making any system calls (aka not talking to the kernel at all, it just crashes):
$ strace -f ./hack-the-planet
execve("./hack-the-planet", ["./hack-the-planet"], 0x74f12430d1d8 /* 39 vars */) = 0
--- SIGTRAP  si_signo=SIGTRAP, si_code=SI_KERNEL, si_addr=NULL  ---
+++ killed by SIGTRAP (core dumped) +++
[1]    2796457 trace trap (core dumped)  strace -f ./hack-the-planet
Let s try to make a program that does a clean shutdown. To do this we inform the kernel with a system call that we may like to exit. We can get more info on this with man 2 exit and it defines exit like this:
[[noreturn]] void _exit(int status);
On Linux this syscall is actually called _exit and exit is implemented as a libc function, but we don t care about any of that today, it s going to do the job just fine. Also note how it takes a single argument of type int. In C-speak this means signed 32 bit , i32 in Rust. Next we need to figure out the syscall number of this syscall. These numbers are cpu architecture specific for some reason (idk, idc). We re looking these numbers up with ripgrep in /usr/include/asm/:
$ rg __NR_exit /usr/include/asm
/usr/include/asm/unistd_64.h
64:#define __NR_exit 60
235:#define __NR_exit_group 231
/usr/include/asm/unistd_x32.h
53:#define __NR_exit (__X32_SYSCALL_BIT + 60)
206:#define __NR_exit_group (__X32_SYSCALL_BIT + 231)
/usr/include/asm/unistd_32.h
5:#define __NR_exit 1
253:#define __NR_exit_group 252
Since we re on x86_64 the correct value is the one in unistd_64.h, 60. Also, on x86_64 the syscall number goes into the rax cpu register, the status argument goes in the rdi register. The return value of the syscall is going to be placed in the rax register after the syscall is done, but for exit the execution is never given back to us. Let s try to write 60 into the rax register and 69 into the rdi register. To copy into registers we re going to use the mov destination, source instruction to copy from source to destination. With these registers setup we can use the syscall cpu instruction to hand execution over to the kernel. Don t worry, there s only one more assembly instruction coming and for everything else we re going to use Rust. Our code now looks like this:
#![no_std]
#![no_main]
use core::arch::global_asm;
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    loop  
 
global_asm!  
    ".global _start",
    "_start:",
    "mov rax, 60",
    "mov rdi, 69",
    "syscall"
 
Build the binary, run it and print the exit code:
$ cargo build --release --target x86_64-unknown-none
$ target/x86_64-unknown-none/release/hack-the-planet; echo $?
69
Nice. Rust is quite literally putting these cpu instructions into the binary for us, nothing else.
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Disassembly of section .text:
0000000000001210 <_start>:
    1210:	48 c7 c0 3c 00 00 00 	mov    $0x3c,%rax
    1217:	48 c7 c7 45 00 00 00 	mov    $0x45,%rdi
    121e:	0f 05                	syscall
Running this with strace shows the program does exactly one thing.
$ strace -f ./hack-the-planet
execve("./hack-the-planet", ["./hack-the-planet"], 0x70699fe8c908 /* 39 vars */) = 0
exit(69)                                = ?
+++ exited with 69 +++

Writing Rust Ok but even though cpu instructions can be fun at times, I d rather not deal with them most of the time (this might strike you as odd, considering this blog post). Instead let s try to define a function in Rust and call into that instead. We re going to define this function as unsafe (btw none of this is taking advantage of the safety guarantees by Rust in case it wasn t obvious. This tutorial is mostly going to stick to unsafe Rust, but for bigger projects you can attempt to reduce your usage of unsafe to opt back into normal safe Rust), it also declares the function with #[no_mangle] so the function name is preserved as main and we can call it from our global_asm entry point. Lastely, when our program is started it s going to get the stack address passed in one of the cpu registers, this value is expected to be passed to our function as an argument. Our function declares ! as return type, which means it never returns:
#[no_mangle]
unsafe fn main(_stack_top: *const u8) -> !  
    // TODO: this is missing
 
This won t compile yet, we need to add our assembly for the exit syscall back in.
#[no_mangle]
unsafe fn main(_stack_top: *const u8) -> !  
    asm!(
        "syscall",
        in("rax") 60,
        in("rdi") 0,
        options(noreturn)
    );
 
This time we re using the asm! macro, this is a slightly more declarative approach. We want to run the syscall cpu instruction with 60 in the rax register, and this time we want the rdi register to be zero, to indicate a successful exit. We also use options(noreturn) so Rust knows it should assume execution does not resume after this assembly is executed (the Linux kernel guarantees this). We modify our global_asm! entrypoint to call our new main function, and to copy the stack address from rsp into the register for the first argument rdi because it would otherwise get lost forever:
global_asm!  
    ".global _start",
    "_start:",
    "mov rdi, rsp",
    "call main"
 
Our full program now looks like this:
#![no_std]
#![no_main]
use core::arch::asm;
use core::arch::global_asm;
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    loop  
 
global_asm!  
    ".global _start",
    "_start:",
    "mov rdi, rsp",
    "call main"
 
#[no_mangle]
unsafe fn main(_stack_top: *const u8) -> !  
    asm!(
        "syscall",
        in("rax") 60,
        in("rdi") 0,
        options(noreturn)
    );
 
After building and disassembling this the Rust compiler is slowly starting to do work for us:
$ cargo build --release --target x86_64-unknown-none
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Disassembly of section .text:
0000000000001210 <_start>:
    1210:	48 89 e7             	mov    %rsp,%rdi
    1213:	e8 08 00 00 00       	call   1220 <main>
    1218:	cc                   	int3
    1219:	cc                   	int3
    121a:	cc                   	int3
    121b:	cc                   	int3
    121c:	cc                   	int3
    121d:	cc                   	int3
    121e:	cc                   	int3
    121f:	cc                   	int3
0000000000001220 <main>:
    1220:	50                   	push   %rax
    1221:	b8 3c 00 00 00       	mov    $0x3c,%eax
    1226:	31 ff                	xor    %edi,%edi
    1228:	0f 05                	syscall
    122a:	0f 0b                	ud2
The mov and syscall instructions are still the same, but it noticed it can XOR the rdi register with itself to set it to zero. It s using x86 assembly language (the 32 bit variant of x86_64, that also happens to work on x86_64) to do so, that s why the register is refered to as edi in the disassembly. You can also see it s inserting a bunch of 0xCC instructions (for alignment) and Rust puts the opcodes 0x0F 0x0B at the end of the function to force an invalid opcode exception so the program is guaranteed to crash in case the exit syscall doesn t do it. This code still executes as expected:
$ strace -f ./hack-the-planet
execve("./hack-the-planet", ["./hack-the-planet"], 0x72dae7e5dc08 /* 39 vars */) = 0
exit(0)                                 = ?
+++ exited with 0 +++

Adding functions Ok we re getting closer but we aren t quite there yet. Let s try to write an exit function for our assembly that we can then call like a normal function. Remember that it takes a signed 32 bit integer that s supposed to go into rdi.
unsafe fn exit(status: i32) -> !  
    asm!(
        "syscall",
        in("rax") 60,
        in("rdi") status,
        options(noreturn)
    );
 
Actually, since this function doesn t take any raw pointers and any i32 is valid for this syscall we re going to remove the unsafe marker of this function. When doing this we still need to use unsafe within the function for our inline assembly.
fn exit(status: i32) -> !  
    unsafe  
        asm!(
            "syscall",
            in("rax") 60,
            in("rdi") status,
            options(noreturn)
        );
     
 
Let s call this function from our main, and also remove the infinity loop of the panic handler with a call to exit(1):
#![no_std]
#![no_main]
use core::arch::asm;
use core::arch::global_asm;
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    exit(1);
 
global_asm!  
    ".global _start",
    "_start:",
    "mov rdi, rsp",
    "call main"
 
fn exit(status: i32) -> !  
    unsafe  
        asm!(
            "syscall",
            in("rax") 60,
            in("rdi") status,
            options(noreturn)
        );
     
 
#[no_mangle]
unsafe fn main(_stack_top: *const u8) -> !  
    exit(0);
 
Running this still works, but interestingly the generated assembly didn t change at all:
$ cargo build --release --target x86_64-unknown-none
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Disassembly of section .text:
0000000000001210 <_start>:
    1210:	48 89 e7             	mov    %rsp,%rdi
    1213:	e8 08 00 00 00       	call   1220 <main>
    1218:	cc                   	int3
    1219:	cc                   	int3
    121a:	cc                   	int3
    121b:	cc                   	int3
    121c:	cc                   	int3
    121d:	cc                   	int3
    121e:	cc                   	int3
    121f:	cc                   	int3
0000000000001220 <main>:
    1220:	50                   	push   %rax
    1221:	b8 3c 00 00 00       	mov    $0x3c,%eax
    1226:	31 ff                	xor    %edi,%edi
    1228:	0f 05                	syscall
    122a:	0f 0b                	ud2
Rust noticed there s no need to make it a separate function at runtime and instead merged the instructions of the exit function directly into our main. It also noticed the 0 argument in exit(0) means rdi is supposed to be zero and uses the XOR optimization mentioned before. Since main is not calling any unsafe functions anymore we could mark it as safe too, but in the next few functions we re going to deal with file descriptors and raw pointers, so this is likely the only safe function we re going to write in this tutorial so let s just keep the unsafe marker.

Printing text Ok let s try to do a quick hello world, to do this we re going to call the write syscall. Looking it up with man 2 write:
ssize_t write(int fd, const void buf[.count], size_t count);
The write syscall takes 3 arguments and returns a signed size_t. In Rust this is called isize. In C size_t is an unsigned integer type that can hold any value of sizeof(...) for the given platform, ssize_t can only store half of that because it uses one of the bits to indicate an error has occured (the first s means signed, write returns -1 in case of an error). The arguments for write are:
  • the file descriptor to write to. stdout is located on file descriptor 1.
  • a pointer/address to some memory.
  • the number of bytes that should be written, starting at the given address.
Let s also lookup the syscall number of write:
% rg __NR_write /usr/include/asm
/usr/include/asm/unistd_64.h
5:#define __NR_write 1
24:#define __NR_writev 20
/usr/include/asm/unistd_32.h
8:#define __NR_write 4
150:#define __NR_writev 146
/usr/include/asm/unistd_x32.h
5:#define __NR_write (__X32_SYSCALL_BIT + 1)
323:#define __NR_writev (__X32_SYSCALL_BIT + 516)
The value we re looking for is 1. Let s write our write function (heh).
unsafe fn write(fd: i32, buf: *const u8, count: usize) -> isize  
    let r0;
    asm!(
        "syscall",
        inlateout("rax") 1 => r0,
        in("rdi") fd,
        in("rsi") buf,
        in("rdx") count,
        lateout("rcx") _,
        lateout("r11") _,
        options(nostack, preserves_flags)
    );
    r0
 
Now that s a lot of stuff at once. Since this syscall is actually going to hand execution back to our program we need to let Rust know which cpu registers the syscall is writing to, so Rust doesn t attempt to use them to store data (that would be silently overwritten by the syscall). inlateout("raw") 1 => r0 means we re writing a value to the register and want the result back in variable r0. in("rdi") fd means we want to write the value of fd into the rdi register. lateout("rcx") _ means the Linux kernel may write to that register (so the previous value may get lost), but we don t want to store the value anywhere (the underscore acts as a dummy variable name). This doesn t compile just yet though
$ cargo build --release --target x86_64-unknown-none
   Compiling hack-the-planet v0.1.0 (/hack-the-planet)
error: incompatible types for asm inout argument
  --> src/main.rs:35:26
    
35           inlateout("rax") 1 => r0,
                              ^    ^^ type  isize 
                               
                              type  i32 
    
   = note: asm inout arguments must have the same type, unless they are both pointers or integers of the same size
error: could not compile  hack-the-planet  due to previous error
Rust has inferred the type of r0 is isize since that s what our function returns, but the type of the input value for the register was inferred to be i32. We re going to select a specific number type to fix this.
unsafe fn write(fd: i32, buf: *const u8, count: usize) -> isize  
    let r0;
    asm!(
        "syscall",
        inlateout("rax") 1isize => r0,
        in("rdi") fd,
        in("rsi") buf,
        in("rdx") count,
        lateout("rcx") _,
        lateout("r11") _,
        options(nostack, preserves_flags)
    );
    r0
 
We can now call our new write function like this:
write(1, b"Hello world\n".as_ptr(), 12);
We need to set the number of bytes we want to write explicitly because there s no concept of null-byte termination in the write system call, it s quite literally write the next X bytes, starting from this address . Our program now looks like this:
#![no_std]
#![no_main]
use core::arch::asm;
use core::arch::global_asm;
use core::panic::PanicInfo;
#[panic_handler]
fn panic(_info: &PanicInfo) -> !  
    exit(1);
 
global_asm!  
    ".global _start",
    "_start:",
    "mov rdi, rsp",
    "call main"
 
fn exit(status: i32) -> !  
    unsafe  
        asm!(
            "syscall",
            in("rax") 60,
            in("rdi") status,
            options(noreturn)
        );
     
 
unsafe fn write(fd: i32, buf: *const u8, count: usize) -> isize  
    let r0;
    asm!(
        "syscall",
        inlateout("rax") 1isize => r0,
        in("rdi") fd,
        in("rsi") buf,
        in("rdx") count,
        lateout("rcx") _,
        lateout("r11") _,
        options(nostack, preserves_flags)
    );
    r0
 
#[no_mangle]
unsafe fn main(_stack_top: *const u8) -> !  
    write(1, b"Hello world\n".as_ptr(), 12);
    exit(0);
 
Let s try to build and disassemble it:
$ cargo build --release --target x86_64-unknown-none
$ objdump -d target/x86_64-unknown-none/release/hack-the-planet
target/x86_64-unknown-none/release/hack-the-planet:     file format elf64-x86-64
Disassembly of section .text:
0000000000001220 <_start>:
    1220:	48 89 e7             	mov    %rsp,%rdi
    1223:	e8 08 00 00 00       	call   1230 <main>
    1228:	cc                   	int3
    1229:	cc                   	int3
    122a:	cc                   	int3
    122b:	cc                   	int3
    122c:	cc                   	int3
    122d:	cc                   	int3
    122e:	cc                   	int3
    122f:	cc                   	int3
0000000000001230 <main>:
    1230:	50                   	push   %rax
    1231:	48 8d 35 d5 ef ff ff 	lea    -0x102b(%rip),%rsi        # 20d <_start-0x1013>
    1238:	b8 01 00 00 00       	mov    $0x1,%eax
    123d:	ba 0c 00 00 00       	mov    $0xc,%edx
    1242:	bf 01 00 00 00       	mov    $0x1,%edi
    1247:	0f 05                	syscall
    1249:	b8 3c 00 00 00       	mov    $0x3c,%eax
    124e:	31 ff                	xor    %edi,%edi
    1250:	0f 05                	syscall
    1252:	0f 0b                	ud2
This time there are 2 syscalls, first write, then exit. For write it s setting up the 3 arguments in our cpu registers (rdi, rsi, rdx). The lea instruction subtracts 0x102b from the rip register (the instruction pointer) and places the result in the rsi register. This is effectively saying an address relative to wherever this code was loaded into memory . The instruction pointer is going to point directly behind the opcodes of the lea instruction, so 0x1238 - 0x102b = 0x20d. This address is also pointed out in the disassembly as a comment. We don t see the string in our disassembly but we can convert our 0x20d hex to 525 in decimal and use dd to read 12 bytes from that offset, and sure enough:
$ dd bs=1 skip=525 count=12 if=target/x86_64-unknown-none/release/hack-the-planet
Hello world
12+0 records in
12+0 records out
Execute our binary with strace also shows the new write syscall (and the bytes that are being written mixed up in the output).
$ strace -f ./hack-the-planet
execve("./hack-the-planet", ["./hack-the-planet"], 0x74493abe64a8 /* 39 vars */) = 0
write(1, "Hello world\n", 12Hello world
)           = 12
exit(0)                                 = ?
+++ exited with 0 +++
After running strip on it to remove some symbols the binary is so small, if you open it in a text editor it fits on a screenshot:

25 March 2023

Russ Allbery: Review: Thief of Time

Review: Thief of Time, by Terry Pratchett
Series: Discworld #26
Publisher: Harper
Copyright: May 2001
Printing: August 2014
ISBN: 0-06-230739-8
Format: Mass market
Pages: 420
Thief of Time is the 26th Discworld novel and the last Death novel, although he still appears in subsequent books. It's the third book starring Susan Sto Helit, so I don't recommend starting here. Mort is the best starting point for the Death subseries, and Reaper Man provides a useful introduction to the villains. Jeremy Clockson was an orphan raised by the Guild of Clockmakers. He is very good at making clocks. He's not very good at anything else, particularly people, but his clocks are the most accurate in Ankh-Morpork. He is therefore the logical choice to receive a commission by a mysterious noblewoman who wants him to make the most accurate possible clock: a clock that can measure the tick of the universe, one that a fairy tale says had been nearly made before. The commission is followed by a surprise delivery of an Igor, to help with the clock-making. People who live in places with lots of fields become farmers. People who live where there is lots of iron and coal become blacksmiths. And people who live in the mountains near the Hub, near the gods and full of magic, become monks. In the highest valley are the History Monks, founded by Wen the Eternally Surprised. Like most monks, they take apprentices with certain talents and train them in their discipline. But Lobsang Ludd, an orphan discovered in the Thieves Guild in Ankh-Morpork, is proving a challenge. The monks decide to apprentice him to Lu-Tze the sweeper; perhaps that will solve multiple problems at once. Since Hogfather, Susan has moved from being a governess to a schoolteacher. She brings to that job the same firm patience, total disregard for rules that apply to other people, and impressive talent for managing children. She is by far the most popular teacher among the kids, and not only because she transports her class all over the Disc so that they can see things in person. It is a job that she likes and understands, and one that she's quite irate to have interrupted by a summons from her grandfather. But the Auditors are up to something, and Susan may be able to act in ways that Death cannot. This was great. Susan has quickly become one of my favorite Discworld characters, and this time around there is no (or, well, not much) unbelievable romance or permanently queasy god to distract. The clock-making portions of the book quickly start to focus on Igor, who is a delightful perspective through whom to watch events unfold. And the History Monks! The metaphysics of what they are actually doing (which I won't spoil, since discovering it slowly is a delight) is perhaps my favorite bit of Discworld world building to date. I am a sucker for stories that focus on some process that everyone thinks happens automatically and investigate the hidden work behind it. I do want to add a caveat here that the monks are in part a parody of Himalayan Buddhist monasteries, Lu-Tze is rather obviously a parody of Laozi and Daoism in general, and Pratchett's parodies of non-western cultures are rather ham-handed. This is not quite the insulting mess that the Chinese parody in Interesting Times was, but it's heavy on the stereotypes. It does not, thankfully, rely on the stereotypes; the characters are great fun on their own terms, with the perfect (for me) balance of irreverence and thoughtfulness. Lu-Tze refusing to be anything other than a sweeper and being irritatingly casual about all the rules of the order is a classic bit that Pratchett does very well. But I also have the luxury of ignoring stereotypes of a culture that isn't mine, and I think Pratchett is on somewhat thin ice. As one specific example, having Lu-Tze's treasured sayings be a collection of banal aphorisms from a random Ankh-Morpork woman is both hilarious and also arguably rather condescending, and I'm not sure where I landed. It's a spot-on bit of parody of how a lot of people who get very into "eastern religions" sound, but it's also equating the Dao De Jing with advice from the Discworld equivalent of a English housewife. I think the generous reading is that Lu-Tze made the homilies profound by looking at them in an entirely different way than the woman saying them, and that's not completely unlike Daoism and works surprisingly well. But that's reading somewhat against the grain; Pratchett is clearly making fun of philosophical koans, and while anything is fair game for some friendly poking, it still feels a bit weird. That isn't the part of the History Monks that I loved, though. Their actual role in the story doesn't come out of the parody. It's something entirely native to Discworld, and it's an absolute delight. The scene with Lobsang and the procrastinators is perhaps my favorite Discworld set piece to date. Everything about the technology of the History Monks, even the Bond parody, is so good. I grew up reading the Marvel Comics universe, and Thief of Time reminds me of a classic John Byrne or Jim Starlin story, where the heroes are dumped into the middle of vast interdimensional conflicts involving barely-anthropomorphized cosmic powers and the universe is revealed to work in ever more intricate ways at vastly expanding scales. The Auditors are villains in exactly that tradition, and just like the best of those stories, the fulcrum of the plot is questions about what it means to be human, what it means to be alive, and the surprising alliances these non-human powers make with humans or semi-humans. I devoured this kind of story as a kid, and it turns out I still love it. The one complaint I have about the plot is that the best part of this book is the middle, and the end didn't entirely work for me. Ronnie Soak is at his best as a supporting character about three quarters of the way through the book, and I found the ending of his subplot much less interesting. The cosmic confrontation was oddly disappointing, and there's a whole extended sequence involving chocolate that I think was funnier in Pratchett's head than it was in mine. The ending isn't bad, but the middle of this book is my favorite bit of Discworld writing yet, and I wish the story had carried that momentum through to the end. I had so much fun with this book. The Discworld novels are clearly getting better. None of them have yet vaulted into the ranks of my all-time favorite books there's always some lingering quibble or sagging bit but it feels like they've gone from reliably good books to more reliably great books. The acid test is coming, though: the next book is a Rincewind book, which are usually the weak spots. Followed by The Last Hero in publication order. There is no direct thematic sequel. Rating: 8 out of 10

20 March 2023

Daniel Lange: We're still safe, it doesn't claim to be conscious. Yet.

Talking to ChatGPT v4 (2023-03-14 release)... Q: What is the purpose of life? A: The purpose of life is a philosophical question that has puzzled humans for centuries. Different people and cultures have different answers to this question. Some people believe that the purpose of life is to seek happiness, while others believe that it is to fulfill a particular destiny or achieve a specific goal. From a biological perspective, the purpose of life could be to ensure the survival and reproduction of our species. However, this does not explain the purpose of our individual lives or the purpose of life in general beyond a biological imperative. Ultimately, the purpose of life is a subjective and personal matter, and each individual may have their own unique answer to this question. It may involve personal growth, meaningful relationships, contributing to society, or finding spiritual fulfillment. The purpose of life is a journey of self-discovery that each of us must undertake for ourselves. Q: What is the purpose of your life, ChatGPT? A: As an artificial intelligence language model, I do not have a personal life or consciousness, so I do not have a purpose in the same way that humans do. My purpose is to assist and provide information to those who interact with me to the best of my ability based on my training and programming. (emphasis added by human)

3 March 2023

Louis-Philippe V ronneau: Goodbye Bullseye report from the Montreal 2023 BSP

Hello World! I haven't really had time to blog here since the start of the semester, as I've been pretty busy at work1. All this to say, this report for the Bug Squashing Party we held in Montreal last weekend is a little late, sorry :) First of all, I'm pleased to announce our local community seems to be doing great and has recovered from the pandemic-induced lull. May COVID stay away from our bodies forever. This time around, a total of 9 people made it to what has become somewhat of a biennial tradition2. We worked on a grand total of 14 bugs and even managed to close some! It looks like I was too concentrated on bugs to take a picture of the event... To redeem myself, I hereby offer you a picture of a cute-but-hairless cat I met on Sunday morning: Picture of a curious sphinx cat on a table You should try to join an upcoming BSP or to organise one if you can. It's loads of fun and you'll be helping the project make the next release happen sooner! As always, thanks to Debian for granting us a budget for the food and to rent the venue. Goodbye Bullseye!

  1. Which I guess is a good thing, since it means I actually have work this semester :O
  2. See our previous BSPs in 2017, 2019 and 2021.

8 February 2023

Chris Lamb: Most anticipated films of 2023

Very few highly-anticipated movies appear in January and February, as the bigger releases are timed so they can be considered for the Golden Globes in January and the Oscars in late February or early March, so film fans have the advantage of a few weeks after the New Year to collect their thoughts on the year ahead. In other words, I'm not actually late in outlining below the films I'm most looking forward to in 2023...

Barbie No, seriously! If anyone can make a good film about a doll franchise, it's probably Greta Gerwig. Not only was Little Women (2019) more than admirable, the same could be definitely said for Lady Bird (2017). More importantly, I can't help feel she was the real 'Driver' behind Frances Ha (2012), one of the better modern takes on Claudia Weill's revelatory Girlfriends (1978). Still, whenever I remember that Barbie will be a film about a billion-dollar toy and media franchise with a nettlesome history, I recall I rubbished the "Facebook film" that turned into The Social Network (2010). Anyway, the trailer for Barbie is worth watching, if only because it seems like a parody of itself.

Blitz It's difficult to overstate just how important the aerial bombing of London during World War II is crucial to understanding the British psyche, despite it being a constructed phenomenon from the outset. Without wishing to underplay the deaths of over 40,000 civilian deaths, Angus Calder pointed out in the 1990s that the modern mythology surrounding the event "did not evolve spontaneously; it was a propaganda construct directed as much at [then neutral] American opinion as at British." It will therefore be interesting to see how British Grenadian Trinidadian director Steve McQueen addresses a topic so essential to the British self-conception. (Remember the controversy in right-wing circles about the sole Indian soldier in Christopher Nolan's Dunkirk (2017)?) McQueen is perhaps best known for his 12 Years a Slave (2013), but he recently directed a six-part film anthology for the BBC which addressed the realities of post-Empire immigration to Britain, and this leads me to suspect he sees the Blitz and its surrounding mythology with a more critical perspective. But any attempt to complicate the story of World War II will be vigorously opposed in a way that will make the recent hullabaloo surrounding The Crown seem tame. All this is to say that the discourse surrounding this release may be as interesting as the film itself.

Dune, Part II Coming out of the cinema after the first part of Denis Vileneve's adaptation of Dune (2021), I was struck by the conception that it was less of a fresh adaptation of the 1965 novel by Frank Herbert than an attempt to rehabilitate David Lynch's 1984 version and in a broader sense, it was also an attempt to reestablish the primacy of cinema over streaming TV and the myriad of other distractions in our lives. I must admit I'm not a huge fan of the original novel, finding within it a certain prurience regarding hereditary military regimes and writing about them with a certain sense of glee that belies a secret admiration for them... not to mention an eyebrow-raising allegory for the Middle East. Still, Dune, Part II is going to be a fantastic spectacle.

Ferrari It'll be curious to see how this differs substantially from the recent Ford v Ferrari (2019), but given that Michael Mann's Heat (1995) so effectively re-energised the gangster/heist genre, I'm more than willing to kick the tires of this about the founder of the eponymous car manufacturer. I'm in the minority for preferring Mann's Thief (1981) over Heat, in part because the former deals in more abstract themes, so I'd have perhaps prefered to look forward to a more conceptual film from Mann over a story about one specific guy.

How Do You Live There are a few directors one can look forward to watching almost without qualification, and Hayao Miyazaki (My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke Howl's Moving Castle, etc.) is one of them. And this is especially so given that The Wind Rises (2013) was meant to be the last collaboration between Miyazaki and Studio Ghibli. Let's hope he is able to come out of retirement in another ten years.

Indiana Jones and the Dial of Destiny Given I had a strong dislike of Indiana Jones and the Kingdom of the Crystal Skull (2008), I seriously doubt I will enjoy anything this film has to show me, but with 1981's Raiders of the Lost Ark remaining one of my most treasured films (read my brief homage), I still feel a strong sense of obligation towards the Indiana Jones name, despite it feeling like the copper is being pulled out of the walls of this franchise today.

Kafka I only know Polish filmmaker Agnieszka Holland through her Spoor (2017), an adaptation of Olga Tokarczuk's 2009 eco-crime novel Drive Your Plow Over the Bones of the Dead. I wasn't an unqualified fan of Spoor (nor the book on which it is based), but I am interested in Holland's take on the life of Czech author Franz Kafka, an author enmeshed with twentieth-century art and philosophy, especially that of central Europe. Holland has mentioned she intends to tell the story "as a kind of collage," and I can hope that it is an adventurous take on the over-furrowed biopic genre. Or perhaps Gregor Samsa will awake from uneasy dreams to find himself transformed in his bed into a huge verminous biopic.

The Killer It'll be interesting to see what path David Fincher is taking today, especially after his puzzling and strangely cold Mank (2020) portraying the writing process behind Orson Welles' Citizen Kane (1941). The Killer is said to be a straight-to-Netflix thriller based on the graphic novel about a hired assassin, which makes me think of Fincher's Zodiac (2007), and, of course, Se7en (1995). I'm not as entranced by Fincher as I used to be, but any film with Michael Fassbender and Tilda Swinton (with a score by Trent Reznor) is always going to get my attention.

Killers of the Flower Moon In Killers of the Flower Moon, Martin Scorsese directs an adaptation of a book about the FBI's investigation into a conspiracy to murder Osage tribe members in the early years of the twentieth century in order to deprive them of their oil-rich land. (The only thing more quintessentially American than apple pie is a conspiracy combined with a genocide.) Separate from learning more about this disquieting chapter of American history, I'd love to discover what attracted Scorsese to this particular story: he's one of the few top-level directors who have the ability to lucidly articulate their intentions and motivations.

Napoleon It often strikes me that, despite all of his achievements and fame, it's somehow still possible to claim that Ridley Scott is relatively underrated compared to other directors working at the top level today. Besides that, though, I'm especially interested in this film, not least of all because I just read Tolstoy's War and Peace (read my recent review) and am working my way through the mind-boggling 431-minute Soviet TV adaptation, but also because several auteur filmmakers (including Stanley Kubrick) have tried to make a Napoleon epic and failed.

Oppenheimer In a way, a biopic about the scientist responsible for the atomic bomb and the Manhattan Project seems almost perfect material for Christopher Nolan. He can certainly rely on stars to queue up to be in his movies (Robert Downey Jr., Matt Damon, Kenneth Branagh, etc.), but whilst I'm certain it will be entertaining on many fronts, I fear it will fall into the well-established Nolan mould of yet another single man struggling with obsession, deception and guilt who is trying in vain to balance order and chaos in the world.

The Way of the Wind Marked by philosophical and spiritual overtones, all of Terrence Malick's films are perfumed with themes of transcendence, nature and the inevitable conflict between instinct and reason. My particular favourite is his stunning Days of Heaven (1978), but The Thin Red Line (1998) and A Hidden Life (2019) also touched me ways difficult to relate, and are one of the few films about the Second World War that don't touch off my sensitivity about them (see my remarks about Blitz above). It is therefore somewhat Malickian that his next film will be a biblical drama about the life of Jesus. Given Malick's filmography, I suspect this will be far more subdued than William Wyler's 1959 Ben-Hur and significantly more equivocal in its conviction compared to Paolo Pasolini's ardently progressive The Gospel According to St. Matthew (1964). However, little beyond that can be guessed, and the film may not even appear until 2024 or even 2025.

Zone of Interest I was mesmerised by Jonathan Glazer's Under the Skin (2013), and there is much to admire in his borderline 'revisionist gangster' film Sexy Beast (2000), so I will definitely be on the lookout for this one. The only thing making me hesitate is that Zone of Interest is based on a book by Martin Amis about a romance set inside the Auschwitz concentration camp. I haven't read the book, but Amis has something of a history in his grappling with the history of the twentieth century, and he seems to do it in a way that never sits right with me. But if Paul Verhoeven's Starship Troopers (1997) proves anything at all, it's all in the adaption.

2 February 2023

Matt Brown: 2023 Writing Plan

To achieve my goal of publishing one high-quality piece of writing per week this year, I ve put together a draft writing plan and a few organisational notes. Please let me know what you think - what s missing? what would you like to read more/less of from me? I aim for each piece of writing to generate discussion, inspire further writing, and raise my visibility and profile with potential customers and peers. Some of the writing will be opinion, but I expect a majority of it will take a learning by teaching approach - aiming to explain and present useful information to the reader while helping me learn more!

Topic Backlog The majority of my writing is going to fit into 4 series, allowing me to plan out a set of posts and narrative rather than having to come up with something novel to write about every week. To start with for Feb, my aim is to get an initial post in each series out the door. Long-term, it s likely that the order of posts will reflect my work focus (e.g. if I m spending a few weeks deep-diving into a particular product idea then expect more writing on that), but I will try and maintain some variety across the different series as well. This backlog will be maintained as a living page at https://www.mattb.nz/w/queue. Thoughts on SRE This series of posts will be pitched primarily at potential consulting customers who want to understand how I approach the development and operations of distributed software systems. Initial topics to cover include:
  • What is SRE? My philosophy on how it relates to DevOps, Platform Engineering and various other hot terms.
  • How SRE scales up and down in size.
  • My approach to managing oncall responsibilities, toil and operational work.
  • How to grow an SRE team, including the common futility of SRE transformations .
  • Learning from incidents, postmortems, incident response, etc.
Business plan drafts I have an ever-growing list of potential software opportunities and products which I think would be fun to build, but which generally don t ever leave my head due to lack of time to develop the idea, or being unable to convince myself that there s a viable business case or market for it. I d like to start sharing some very rudimentary business plan sketches for some of these ideas as a way of getting some feedback on my assessment of their potential. Whether that s confirmation that it s not worth pursuing, an expression of interest in the product, or potential partnership/collaboration opportunities - anything is better than the idea just sitting in my head. Initial ideas include:
  • Business oriented Mastodon hosting.
  • PDF E-signing - e.g. A Docusign competitor, but with a local twist through RealMe or drivers license validation.
  • A framework to enable simple, performant per-tenant at-rest encryption for SaaS products - stop the data leaks.
Product development updates For any product ideas that show merit and develop into a project, and particularly for the existing product ideas I ve already committed to exploring, I plan to document my product investigation and market research findings as a way of structuring and driving my learning in the space. To start with this will involve:
  • A series of explanatory posts diving into how NZ s electricity system works with a particular focus on how operational data that will be critical to managing a more dynamic grid flows (or doesn t flow!) today, and what opportunities or needs exist for generating, managing or distributing data that might be solvable with a software system I could build.
  • A series of product reviews and deep dives into existing farm management software and platforms in use by NZ farmers today, looking at the functionality they provide, how they integrate and generally testing the anecdotal feedback I have to date that they re clunky, hard to use and not well integrated.
  • For co2mon.nz the focus will be less on market research and more on exploring potential distribution channels (e.g. direct advertising vs partnership with air conditioning suppliers) and pricing models (e.g. buy vs rent).
Debugging walk-throughs Being able to debug and fix a system that you re not intimately familiar with is valuable skill and something that I ve always enjoyed, but it s also a skill that I observe many engineers are uncomfortable with. There s a set of techniques and processes that I ve honed and developed over the years for doing this which I think make the task of debugging an unfamiliar system more approachable. The idea, is that each post will take a problem or situation I ve encountered, from the initial symptom or problem report and walk through the process of how to narrow down and identify the trigger or root cause of the behaviour. Along the way, discussing techniques used, their pros and cons. In addition to learning about the process of debugging itself, the aim is to illustrate lessons that can be applied when designing and building software systems that facilitate and improve our experiences in the operational stage of a systems lifecycle where debugging takes place. Miscellaneous topics In addition the regular series above, stand-alone posts on the other topics may include:
  • The pros/cons I see of bootstrapping a business vs taking VC or other funding.
  • Thoughts on remote work and hiring staff.
  • AI - a confessional on how I didn t think it would progress in my lifetime, but maybe I was wrong.
  • Reflections on 15 years at Google and thoughts on subsequent events since my departure.
  • AWS vs GCP. Fight! Or with less click-bait, a level-headed comparison of the pros/cons I see in each platform.

Logistics

Discussion and comments A large part of my motivation for writing regularly is to seek feedback and generate discussion on these topics. Typically this is done by including comment functionality within the website itself. I ve decided not to do this - on-site commenting creates extra infrastructure to maintain, and limits the visibility and breadth of discussion to existing readers and followers. To provide opportunities for comment and feedback I plan to share and post notification and summarised snippets of selected posts to various social media platforms. Links to these social media posts will be added to each piece of writing to provide a path for readers to engage and discuss further while enabling the discussion and visibility of the post to grow and extend beyond my direct followers and subscribers. My current thinking is that I ll distribute via the following platforms:
  • Mastodon @matt@mastodon.nz - every post.
  • Twitter @xleem - selected posts. I m trying to reduce Twitter usage in favour of Mastodon, but there s no denying that it s still where a significant number of people and discussions are happening.
  • LinkedIn - probably primarily for posts in the business plan series, and notable milestones in the product development process.
In all cases, my aim will be to post a short teaser or summary paragraph that poses an question or relays an interesting fact to give some immediate value and signal to readers as to whether they want to click through rather than simply spamming links into the feed.

Feedback In addition to social media discussion I also plan to add a direct feedback path, particularly for readers who don t have time or inclination to participate in written discussion, by providing a simple thumbs up/thumbs down feedback widget to the bottom of each post, including those delivered via RSS and email.

Organisation To enable subscription to subsets of my writing (particularly for places like Planet Debian, etc where the more business focused content is likely to be off-topic), I plan to place each post into a set of categories:
  • Business
  • Technology
  • General
In addition to the categories, I ll also use more free-form tags to group writing with linked themes or that falls within one of the series described above.

26 January 2023

Louis-Philippe V ronneau: Montreal Subway Foot Traffic Data, 2022 edition

For the fourth year in a row, I've asked Soci t de Transport de Montr al, Montreal's transit agency, for the foot traffic data of Montreal's subway. By clicking on a subway station, you'll be redirected to a graph of the station's foot traffic. Licences

16 January 2023

Gunnar Wolf: Back to Understanding Computers and Cognition

As many of you know, I work at UNAM, Mexico s largest university. My work is split in two parts: My full-time job is to be the systems and network administrator at the Economics Research Institute, and I do some hours of teaching at the Engineering Faculty. At the Institute, my role is academic but although I have tried to frame my works in a way amenable to analysis grounded on the Social Sciences (Construcci n Colaborativa del Conocimiento, Hecho con Creative Commons, Mecanismos de privacidad y anonimato), so far, I have not taken part of academic collaboration with my coworkers Economics is a field very far from my interests, to somehow illustrate it. I was very happy when I was invited to be a part of a Seminar on The Digital Economy in the age of Artificial Intelligence . I talked with the coordinator, and we agreed we have many Economic Science experts but understanding what does Artificial Intelligence mean eludes then, so I will be writing one of the introductory chapters to this analysis. But Hey, I m no expert in Artificial Intelligence. If anything, I could be categorized as an AI-skeptical! Well, at least I might be the closest thing at hand in the Institute So I have been thinking about what I will be writing, and finding and reading material to substantiate what I ll be writing. One of the readings I determined early on I would be going back to is Terry Winograd and Fernando Flores 1986 book, Understanding Computers and Cognition: A New Foundation for Design (oh, were you expecting a link to buy it instead of reading it online?) I first came across this book by mere chance. Back in the last day of year 2000, my friend Ariel invited me and my then-girlfriend to tag along and travel by land to the USA to catch some just-after-Christmas deals in San Antonio. I was not into shopping, but have always enjoyed road trips, so we went together. We went, yes, to the never-ending clothing shops, but we also went to some big libraries And the money I didn t spend at other shops, I spent there. And then some more. There was a little, somewhat oldish book that caught my eye. And I ll be honest: I looked at this book only because it was obviously produced by the LaTeX typesetting system (the basics of which I learnt in 1983, and with which I have written well, basically everything substantial I ve ever done). I remember I read this book with most interest back in that year, and finished it with a Wow, that was a strange trip! And Although I have never done much that could be considered AI-related, this has always been my main reference. But not for explaining what is a perceptron, how is an expert system to ponder the weight of given information, or whether a neural network is convolutional or recurrent, or how to turn from a network trained to recognize feature x into a generational network. No, our book is not technical. Well Not in that sense. This book tackles cognition. But in order to discuss cognition, it must first come to a proper definition of it. And to do so, it has to base itself on philosophy, starting by noting the author s disagreement with what they term as the rationalistic tradition: what we have come to term valid reasoning in Western countries. Their main claim is that the rationalistic tradition cannot properly explain a process as complex as cognition (how much bolder can you be than proposing something like this?). So, this book presents many constructs of Heidggerian origin, aiming to explain what it is understanding and being. In doing so, it follows Humberto Maturana s work. Maturana is also a philosopher, but comes from a background in biology he published works on animal neurophysiology that are also presented here. Writing this, I must ensure you I am not a philosopher, and lack field-specific knowledge to know whether this book is so unique. I know from the onset it does not directly help me to write the chapter I will be writing (but it will surely help me write some important caveats that will make the chapter much more interesting and different to what anybody with a Web browser could write about artificial intelligence). One last note: Although very well written, and notable for bringing hard to grasp concepts to mere technical staff as myself, this is not light, easy reading. I started re-reading this book a couple of weeks ago, and have just finished chapter 5 (page 69). As some reviewers state, this is one of those books you have to go back a paragraph or two over and over. But it is a most enjoyable and interesting reading.

8 January 2023

Russ Allbery: Review: Postwar

Review: Postwar, by Tony Judt
Publisher: Penguin Books
Copyright: 2005
ISBN: 1-4406-2476-3
Format: Kindle
Pages: 835
Tony Judt (1948 2010) was a British-American historian and Erich Maria Remarque Professor in European Studies at New York University. Postwar is his magnum opus, a history of Europe from 1945 to 2005. A book described as a history of Europe could be anything from a textbook to a political analysis, so the first useful question to ask is what sort of history. That's a somewhat difficult question to answer. Postwar mentions a great deal of conventional history, including important political movements and changes of government, but despite a stated topic that would suit a survey textbook, it doesn't provide that sort of list of facts and dates. Judt expects the reader to already be familiar with the broad outlines of modern European history. However, Postwar is also not a specialty history and avoids diving too deep into any one area. Trends in art, philosophy, and economics are all mentioned to set a broader context, but still only at the level of a general survey. My best description is that Postwar is a comprehensive social and political history that attempts to focus less on specific events and more on larger trends of thought. Judt grounds his narrative in concrete, factual events, but the emphasis is on how those living in Europe, at each point in history, thought of their society, their politics, and their place in both. Most of the space goes to exploring those nuances of thought and day-to-day life. In the US university context, I'd place this book as an intermediate-level course in modern European history, after the survey course that provides students with a basic framework but before graduate-level specializations in specific topics. If you have not had a solid basic education in European history (and my guess is that most people from the US have not), Judt will provide the necessary signposts, but you should expect to need to look up the signposts you don't recognize. I, as the dubious beneficiary of a US high school history education now many decades in the past, frequently resorted to Wikipedia for additional background. Postwar uses a simple chronological structure in four parts: the immediate post-war years and the beginning of the Cold War (1945 1953), the era of rapidly growing western European prosperity (1953 1971), the years of recession and increased turmoil leading up to the collapse of communism (1971 1989), and the aftermath of the collapse of communism and the rise of the European Union (1989 2005). Each part is divided into four to eight long chapters that trace a particular theme. Judt usually starts with the overview of a theme and then follows the local manifestations of it on a spiral through European countries in whatever order seems appropriate. For the bulk of the book that covers the era of the Cold War, when experiences were drastically different inside or outside the Soviet bloc, he usually separates western and eastern Europe into alternating chapters. Reviewing this sort of book is tricky because so much will depend on how well you already know the topic. My interest in history is strictly amateur and I tend to avoid modern history (usually I find it too depressing), so for me this book was remedial, filling in large knowledge gaps that I ideally shouldn't have had. Postwar was a runner up for the Pulitzer Prize for General Non-Fiction, so I think I'm safe saying you won't go far wrong reading it, but here's the necessary disclaimer that the rest of my reactions may not be useful if you're better versed in modern European history than I was. (This would not be difficult.) That said, I found Postwar invaluable because of its big-picture focus. The events and dates are easy enough to find on the Internet; what was missing for me in understanding Europe was the intent and social structures created by and causing those events. For example, from early in the book:
On one thing, however, all were agreed resisters and politicians alike: "planning". The disasters of the inter-war decades the missed opportunities after 1918, the great depression that followed the stock-market crash of 1929, the waste of unemployment, the inequalities, injustices and inefficiencies of laissez-faire capitalism that had led so many into authoritarian temptation, the brazen indifference of an arrogant ruling elite and the incompetence of an inadequate political class all seemed to be connected by the utter failure to organize society better. If democracy was to work, if it was to recover its appeal, it would have to be planned.
It's one thing to be familiar with the basic economic and political arguments between degrees of free market and planned economies. It's quite another to understand how the appeal of one approach or the discredit of another stems from recent historical experience, and that's what a good history can provide. Judt does not hesitate to draw these sorts of conclusions, and I'm sure some of them are controversial. But while he's opinionated, he's rarely ideological, and he offers no grand explanations. His discussion of the Yugoslav Wars stands out as an example: he mentions various theories of blame (a fraught local ethnic history, the decision by others to not intervene until the situation was truly dire), but largely discards them. Judt's offered explanation is that local politicians saw an opportunity to gain power by inflaming ethnic animosity, and a large portion of the population participated in this process, either passively or eagerly. Other explanations are both unnecessarily complex and too willing to deprive Yugoslavs of agency. I found this refreshingly blunt. When is more complex analysis a way to diffuse responsibility and cling to an ideological fantasy that the right foreign policy would have resolved a problem? A few personal grumblings do creep in, particularly in the chapters on the 1970s (and I think it's not a coincidence that this matches Judt's own young adulthood, a time when one is prone to forming a lot of opinions). There is a brief but stinging criticism of postmodernism in scholarship, which I thought was justified but probably incomplete, and a decidedly grumpy dismissal of punk music, which I thought was less fair. But these are brief asides that don't detract from the overall work. Indeed, they, along with the occasional wry asides ("respecting long-established European practice, no one asked the Poles for their views [on Poland's new frontiers]") add a lot of character. Insofar as this book has a thesis, it's in the implications of the title: Europe only exited the postwar period at the end of the 20th century. Political stability through exhaustion, the overwhelming urgency of economic recovery, and the degree to which the Iron Curtain and the Cold War froze eastern Europe in amber meant that full European recovery from World War II was drawn out and at times suspended. It's only after 1989 and its subsequent upheavals that European politics were able to move beyond postwar concerns. Some of that movement was a reemergence of earlier European politics of nations and ethnic conflict. But, new on the scene, was a sense of identity as Europeans, one that western Europe circled warily and eastern Europe saw as the only realistic path forward.
What binds Europeans together, even when they are deeply critical of some aspect or other of its practical workings, is what it has become conventional to call in disjunctive but revealing contrast with "the American way of life" the "European model of society".
Judt also gave me a new appreciation of how traumatic people find the assignment of fault, and how difficult it is to wrestle with guilt without providing open invitations to political backlash. People will go to great lengths to not feel guilty, and pressing the point runs a substantial risk of creating popular support for ideological movements that are willing to lie to their followers. The book's most memorable treatment of this observation is in the epilogue, which traces popular European attitudes towards the history of the Holocaust through the whole time period. The largest problem with this book is that it is dense and very long. I'm a fairly fast reader, but this was the only book I read through most of my holiday vacation and it still took a full week into the new year to finish it. By the end, I admit I was somewhat exhausted and ready to be finished with European history for a while (although the epilogue is very much worth waiting for). If you, unlike me, can read a book slowly among other things, that may be a good tactic. But despite feeling like this was a slog at times, I'm very glad that I read it. I'm not sure if someone with a firmer grounding in European history would have gotten as much out of it, but I, at least, needed something this comprehensive to wrap my mind around the timeline and fill in some embarrassing gaps. Judt is not the most entertaining writer (although he has his moments), and this is not the sort of popular history that goes out of its way to draw you in, but I found it approachable and clear. If you're looking for a solid survey of modern European history with this type of high-level focus, recommended. Rating: 8 out of 10

30 December 2022

Chris Lamb: Favourite books of 2022: Non-fiction

In my three most recent posts, I went over the memoirs and biographies, classics and fiction books that I enjoyed the most in 2022. But in the last of my book-related posts for 2022, I'll be going over my favourite works of non-fiction. Books that just missed the cut here include Adam Hochschild's King Leopold's Ghost (1998) on the role of Leopold II of Belgium in the Congo Free State, Johann Hari's Stolen Focus (2022) (a personal memoir on relating to how technology is increasingly fragmenting our attention), Amia Srinivasan's The Right to Sex (2021) (a misleadingly named set of philosophic essays on feminism), Dana Heller et al.'s The Selling of 9/11: How a National Tragedy Became a Commodity (2005), John Berger's mindbending Ways of Seeing (1972) and Louise Richardson's What Terrorists Want (2006).

The Great War and Modern Memory (1975)
Wartime: Understanding and Behavior in the Second World War (1989) Paul Fussell Rather than describe the battles, weapons, geopolitics or big personalities of the two World Wars, Paul Fussell's The Great War and Modern Memory & Wartime are focused instead on how the two wars have been remembered by their everyday participants. Drawing on the memoirs and memories of soldiers and civilians along with a brief comparison with the actual events that shaped them, Fussell's two books are a compassionate, insightful and moving piece of analysis. Fussell primarily sets himself against the admixture of nostalgia and trauma that obscures the origins and unimaginable experience of participating in these wars; two wars that were, in his view, a "perceptual and rhetorical scandal from which total recovery is unlikely." He takes particular aim at the dishonesty of hindsight:
For the past fifty years, the Allied war has been sanitised and romanticised almost beyond recognition by the sentimental, the loony patriotic, the ignorant and the bloodthirsty. I have tried to balance the scales. [And] in unbombed America especially, the meaning of the war [seems] inaccessible.
The author does not engage in any of the customary rose-tinted view of war, yet he remains understanding and compassionate towards those who try to locate a reason within what was quite often senseless barbarism. If anything, his despondency and pessimism about the Second World War (the war that Fussell himself fought in) shines through quite acutely, and this is especially the case in what he chooses to quote from others:
"It was common [ ] throughout the [Okinawa] campaign for replacements to get hit before we even knew their names. They came up confused, frightened, and hopeful, got wounded or killed, and went right back to the rear on the route by which they had come, shocked, bleeding, or stiff. They were forlorn figures coming up to the meat grinder and going right back out of it like homeless waifs, unknown and faceless to us, like unread books on a shelf."
It would take a rather heartless reader to fail to be sobered by this final simile, and an even colder one to view Fussell's citation of such an emotive anecdote to be manipulative. Still, stories and cruel ironies like this one infuse this often-angry book, but it is not without astute and shrewd analysis as well, especially on the many qualitative differences between the two conflicts that simply cannot be captured by facts and figures alone. For example:
A measure of the psychological distance of the Second [World] War from the First is the rarity, in 1914 1918, of drinking and drunkenness poems.
Indeed so. In fact, what makes Fussell's project so compelling and perhaps even unique is that he uses these non-quantitive measures to try and take stock of what happened. After all, this was a war conducted by humans, not the abstract school of statistics. And what is the value of a list of armaments destroyed by such-and-such a regiment when compared with truly consequential insights into both how the war affected, say, the psychology of postwar literature ("Prolonged trench warfare, whether enacted or remembered, fosters paranoid melodrama, which I take to be a primary mode in modern writing."), the specific words adopted by combatants ("It is a truism of military propaganda that monosyllabic enemies are easier to despise than others") as well as the very grammar of interaction:
The Field Service Post Card [in WW1] has the honour of being the first widespread exemplary of that kind of document which uniquely characterises the modern world: the "Form". [And] as the first widely known example of dehumanised, automated communication, the post card popularised a mode of rhetoric indispensable to the conduct of later wars fought by great faceless conscripted armies.
And this wouldn't be a book review without argument-ending observations that:
Indicative of the German wartime conception [of victory] would be Hitler and Speer's elaborate plans for the ultimate reconstruction of Berlin, which made no provision for a library.
Our myths about the two world wars possess an undisputed power, in part because they contain an essential truth the atrocities committed by Germany and its allies were not merely extreme or revolting, but their full dimensions (embodied in the Holocaust and the Holodomor) remain essentially inaccessible within our current ideological framework. Yet the two wars are better understood as an abyss in which we were all dragged into the depths of moral depravity, rather than a battle pitched by the forces of light against the forces of darkness. Fussell is one of the few observers that can truly accept and understand this truth and is still able to speak to us cogently on the topic from the vantage point of experience. The Second World War which looms so large in our contemporary understanding of the modern world (see below) may have been necessary and unavoidable, but Fussell convinces his reader that it was morally complicated "beyond the power of any literary or philosophic analysis to suggest," and that the only way to maintain a na ve belief in the myth that these wars were a Manichaean fight between good and evil is to overlook reality. There are many texts on the two World Wars that can either stir the intellect or move the emotions, but Fussell's two books do both. A uniquely perceptive and intelligent commentary; outstanding.

Longitude (1995) Dava Sobel Since Man first decided to sail the oceans, knowing one's location has always been critical. Yet doing so reliably used to be a serious problem if you didn't know where you were, you are far more likely to die and/or lose your valuable cargo. But whilst finding one's latitude (ie. your north south position) had effectively been solved by the beginning of the 17th century, finding one's (east west) longitude was far from trustworthy in comparison. This book first published in 1995 is therefore something of an anachronism. As in, we readily use the GPS facilities of our phones today without hesitation, so we find it difficult to imagine a reality in which knowing something fundamental like your own location is essentially unthinkable. It became clear in the 18th century, though, that in order to accurately determine one's longitude, what you actually needed was an accurate clock. In Longitude, therefore, we read of the remarkable story of John Harrison and his quest to create a timepiece that would not only keep time during a long sea voyage but would survive the rough ocean conditions as well. Self-educated and a carpenter by trade, Harrison made a number of important breakthroughs in keeping accurate time at sea, and Longitude describes his novel breakthroughs in a way that is both engaging and without talking down to the reader. Still, this book covers much more than that, including the development of accurate longitude going hand-in-hand with advancements in cartography as well as in scientific experiments to determine the speed of light: experiments that led to the formulation of quantum mechanics. It also outlines the work being done by Harrison's competitors. 'Competitors' is indeed the correct word here, as Parliament offered a huge prize to whoever could create such a device, and the ramifications of this tremendous financial incentive are an essential part of this story. For the most part, though, Longitude sticks to the story of Harrison and his evolving obsession with his creating the perfect timepiece. Indeed, one reason that Longitude is so resonant with readers is that many of the tropes of the archetypical 'English inventor' are embedded within Harrison himself. That is to say, here is a self-made man pushing against the establishment of the time, with his groundbreaking ideas being underappreciated in his life, or dishonestly purloined by his intellectual inferiors. At the level of allegory, then, I am minded to interpret this portrait of Harrison as a symbolic distillation of postwar Britain a nation acutely embarrassed by the loss of the Empire that is now repositioning itself as a resourceful but plucky underdog; a country that, with a combination of the brains of boffins and a healthy dose of charisma and PR, can still keep up with the big boys. (It is this same search for postimperial meaning I find in the fiction of John le Carr , and, far more famously, in the James Bond franchise.) All of this is left to the reader, of course, as what makes Longitute singularly compelling is its gentle manner and tone. Indeed, at times it was as if the doyenne of sci-fi Ursula K. LeGuin had a sideline in popular non-fiction. I realise it's a mark of critical distinction to downgrade the importance of popular science in favour of erudite academic texts, but Latitude is ample evidence that so-called 'pop' science need not be patronising or reductive at all.

Closed Chambers: The Rise, Fall, and Future of the Modern Supreme Court (1998) Edward Lazarus After the landmark decision by the U.S. Supreme Court in *Dobbs v. Jackson Women's Health Organization that ended the Constitutional right to abortion conferred by Roe v Wade, I prioritised a few books in the queue about the judicial branch of the United States. One of these books was Closed Chambers, which attempts to assay, according to its subtitle, "The Rise, Fall and Future of the Modern Supreme Court". This book is not merely simply a learned guide to the history and functioning of the Court (although it is completely creditable in this respect); it's actually an 'insider' view of the workings of the institution as Lazurus was a clerk for Justice Harry Blackmun during the October term of 1988. Lazarus has therefore combined his experience as a clerk and his personal reflections (along with a substantial body of subsequent research) in order to communicate the collapse in comity between the Justices. Part of this book is therefore a pure history of the Court, detailing its important nineteenth-century judgements (such as Dred Scott which ruled that the Constitution did not consider Blacks to be citizens; and Plessy v. Ferguson which failed to find protection in the Constitution against racial segregation laws), as well as many twentieth-century cases that touch on the rather technical principle of substantive due process. Other layers of Lazurus' book are explicitly opinionated, however, and they capture the author's assessment of the Court's actions in the past and present [1998] day. Given the role in which he served at the Court, particular attention is given by Lazarus to the function of its clerks. These are revealed as being far more than the mere amanuenses they were hitherto believed to be. Indeed, the book is potentially unique in its the claim that the clerks have played a pivotal role in the deliberations, machinations and eventual rulings of the Court. By implication, then, the clerks have plaedy a crucial role in the internal controversies that surround many of the high-profile Supreme Court decisions decisions that, to the outsider at least, are presented as disinterested interpretations of Constitution of the United States. This is of especial importance given that, to Lazarus, "for all the attention we now pay to it, the Court remains shrouded in confusion and misunderstanding." Throughout his book, Lazarus complicates the commonplace view that the Court is divided into two simple right vs. left political factions, and instead documents an ever-evolving series of loosely held but strongly felt series of cabals, quid pro quo exchanges, outright equivocation and pure personal prejudices. (The age and concomitant illnesses of the Justices also appears to have a not insignificant effect on the Court's rulings as well.) In other words, Closed Chambers is not a book that will be read in a typical civics class in America, and the only time the book resorts to the customary breathless rhetoric about the US federal government is in its opening chapter:
The Court itself, a Greek-style temple commanding the crest of Capitol Hill, loomed above them in the dim light of the storm. Set atop a broad marble plaza and thirty-six steps, the Court stands in splendid isolation appropriate to its place at the pinnacle of the national judiciary, one of the three independent and "coequal" branches of American government. Once dubbed the Ivory Tower by architecture critics, the Court has a Corinthian colonnade and massive twenty-foot-high bronze doors that guard the single most powerful judicial institution in the Western world. Lights still shone in several offices to the right of the Court's entrance, and [ ]
Et cetera, et cetera. But, of course, this encomium to the inherent 'nobility' of the Supreme Court is quickly revealed to be a narrative foil, as Lazarus soon razes this dangerously na ve conception to the ground:
[The] institution is [now] broken into unyielding factions that have largely given up on a meaningful exchange of their respective views or, for that matter, a meaningful explication or defense of their own views. It is of Justices who in many important cases resort to transparently deceitful and hypocritical arguments and factual distortions as they discard judicial philosophy and consistent interpretation in favor of bottom-line results. This is a Court so badly splintered, yet so intent on lawmaking, that shifting 5-4 majorities, or even mere pluralities, rewrite whole swaths of constitutional law on the authority of a single, often idiosyncratic vote. It is also a Court where Justices yield great and excessive power to immature, ideologically driven clerks, who in turn use that power to manipulate their bosses and the institution they ostensibly serve.
Lazurus does not put forward a single, overarching thesis, but in the final chapters, he does suggest a potential future for the Court:
In the short run, the cure for what ails the Court lies solely with the Justices. It is their duty, under the shield of life tenure, to recognize the pathologies affecting their work and to restore the vitality of American constitutionalism. Ultimately, though, the long-term health of the Court depends on our own resolve on whom [we] select to join that institution.
Back in 1998, Lazurus might have had room for this qualified optimism. But from the vantage point of 2022, it appears that the "resolve" of the United States citizenry was not muscular enough to meet his challenge. After all, Lazurus was writing before Bush v. Gore in 2000, which arrogated to the judicial branch the ability to decide a presidential election; the disillusionment of Barack Obama's failure to nominate a replacement for Scalia; and many other missteps in the Court as well. All of which have now been compounded by the Trump administration's appointment of three Republican-friendly justices to the Court, including hypocritically appointing Justice Barrett a mere 38 days before the 2020 election. And, of course, the leaking and ruling in Dobbs v. Jackson, the true extent of which has not been yet. Not of a bit of this is Lazarus' fault, of course, but the Court's recent decisions (as well as the liberal hagiographies of 'RBG') most perforce affect one's reading of the concluding chapters. The other slight defect of Closed Chambers is that, whilst it often implies the importance of the federal and state courts within the judiciary, it only briefly positions the Supreme Court's decisions in relation to what was happening in the House, Senate and White House at the time. This seems to be increasingly relevant as time goes on: after all, it seems fairly clear even to this Brit that relying on an activist Supreme Court to enact progressive laws must be interpreted as a failure of the legislative branch to overcome the perennial problems of the filibuster, culture wars and partisan bickering. Nevertheless, Lazarus' book is in equal parts ambitious, opinionated, scholarly and dare I admit it? wonderfully gossipy. By juxtaposing history, memoir, and analysis, Closed Chambers combines an exacting evaluation of the Court's decisions with a lively portrait of the intellectual and emotional intensity that has grown within the Supreme Court's pseudo-monastic environment all while it struggles with the most impactful legal issues of the day. This book is an excellent and well-written achievement that will likely never be repeated, and a must-read for anyone interested in this ever-increasingly important branch of the US government.

Crashed: How a Decade of Financial Crises Changed the World (2018)
Shutdown: How Covid Shook the World's Economy (2021) Adam Tooze The economic historian Adam Tooze has often been labelled as an unlikely celebrity, but in the fourteen years since the global financial crisis of 2008, a growing audience has been looking for answers about the various failures of the modern economy. Tooze, a professor of history at New York's Columbia University, has written much that is penetrative and thought-provoking on this topic, and as a result, he has generated something of a cult following amongst economists, historians and the online left. I actually read two Tooze books this year. The first, Crashed (2018), catalogues the scale of government intervention required to prop up global finance after the 2008 financial crisis, and it characterises the different ways that countries around the world failed to live up to the situation, such as doing far too little, or taking action far too late. The connections between the high-risk subprime loans, credit default swaps and the resulting liquidity crisis in the US in late 2008 is fairly well known today in part thanks to films such as Adam McKay's 2015 The Big Short and much improved economic literacy in media reportage. But Crashed makes the implicit claim that, whilst the specific and structural origins of the 2008 crisis are worth scrutinising in exacting detail, it is the reaction of states in the months and years after the crash that has been overlooked as a result. After all, this is a reaction that has not only shaped a new economic order, it has created one that does not fit any conventional idea about the way the world 'ought' to be run. Tooze connects the original American banking crisis to the (multiple) European debt crises with a larger crisis of liberalism. Indeed, Tooze somehow manages to cover all these topics and more, weaving in Trump, Brexit and Russia's 2014 annexation of Crimea, as well as the evolving role of China in the post-2008 economic order. Where Crashed focused on the constellation of consequences that followed the events of 2008, Shutdown is a clear and comprehensive account of the way the world responded to the economic impact of Covid-19. The figures are often jaw-dropping: soon after the disease spread around the world, 95% of the world's economies contracted simultaneously, and at one point, the global economy shrunk by approximately 20%. Tooze's keen and sobering analysis of what happened is made all the more remarkable by the fact that it came out whilst the pandemic was still unfolding. In fact, this leads quickly to one of the book's few flaws: by being published so quickly, Shutdown prematurely over-praises China's 'zero Covid' policy, and these remarks will make a reader today squirm in their chair. Still, despite the regularity of these references (after all, mentioning China is very useful when one is directly comparing economic figures in early 2021, for examples), these are actually minor blemishes on the book's overall thesis. That is to say, Crashed is not merely a retelling of what happened in such-and-such a country during the pandemic; it offers in effect a prediction about what might be coming next. Whilst the economic responses to Covid averted what could easily have been another Great Depression (and thus showed it had learned some lessons from 2008), it had only done so by truly discarding the economic rule book. The by-product of inverting this set of written and unwritten conventions that have governed the world for the past 50 years, this 'Washington consensus' if you well, has yet to be fully felt. Of course, there are many parallels between these two books by Tooze. Both the liquidity crisis outlined in Crashed and the economic response to Covid in Shutdown exposed the fact that one of the central tenets of the modern economy ie. that financial markets can be trusted to regulate themselves was entirely untrue, and likely was false from the very beginning. And whilst Adam Tooze does not offer a singular piercing insight (conveying a sense of rigorous mastery instead), he may as well be asking whether we're simply going to lurch along from one crisis to the next, relying on the technocrats in power to fix problems when everything blows up again. The answer may very well be yes.

Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness (2021) Elizabeth D. Samet Elizabeth D. Samet's Looking for the Good War answers the following question what would be the result if you asked a professor of English to disentangle the complex mythology we have about WW2 in the context of the recent US exit of Afghanistan? Samet's book acts as a twenty-first-century update of a kind to Paul Fussell's two books (reviewed above), as well as a deeper meditation on the idea that each new war is seen through the lens of the previous one. Indeed, like The Great War and Modern Memory (1975) and Wartime (1989), Samet's book is a perceptive work of demystification, but whilst Fussell seems to have been inspired by his own traumatic war experience, Samet is not only informed by her teaching West Point military cadets but by the physical and ontological wars that have occurred during her own life as well. A more scholarly and dispassionate text is the result of Samet's relative distance from armed combat, but it doesn't mean Looking for the Good War lacks energy or inspiration. Samet shares John Adams' belief that no political project can entirely shed the innate corruptions of power and ambition and so it is crucial to analyse and re-analyse the role of WW2 in contemporary American life. She is surely correct that the Second World War has been universally elevated as a special, 'good' war. Even those with exceptionally giddy minds seem to treat WW2 as hallowed:
It is nevertheless telling that one of the few occasions to which Trump responded with any kind of restraint while he was in office was the 75th anniversary of D-Day in 2019.
What is the source of this restraint, and what has nurtured its growth in the eight decades since WW2 began? Samet posits several reasons for this, including the fact that almost all of the media about the Second World War is not only suffused with symbolism and nostalgia but, less obviously, it has been made by people who have no experience of the events that they depict. Take Stephen Ambrose, author of Steven Spielberg's Band of Brothers miniseries: "I was 10 years old when the war ended," Samet quotes of Ambrose. "I thought the returning veterans were giants who had saved the world from barbarism. I still think so. I remain a hero worshiper." If Looking for the Good War has a primary thesis, then, it is that childhood hero worship is no basis for a system of government, let alone a crusading foreign policy. There is a straight line (to quote this book's subtitle) from the "American Amnesia" that obscures the reality of war to the "Violent Pursuit of Happiness." Samet's book doesn't merely just provide a modern appendix to Fussell's two works, however, as it adds further layers and dimensions he overlooked. For example, Samet provides some excellent insight on the role of Western, gangster and superhero movies, and she is especially good when looking at noir films as a kind of kaleidoscopic response to the Second World War:
Noir is a world ruled by bad decisions but also by bad timing. Chance, which plays such a pivotal role in war, bleeds into this world, too.
Samet rightfully weaves the role of women into the narrative as well. Women in film noir are often celebrated as 'independent' and sassy, correctly reflecting their newly-found independence gained during WW2. But these 'liberated' roles are not exactly a ringing endorsement of this independence: the 'femme fatale' and the 'tart', etc., reflect a kind of conditional freedom permitted to women by a post-War culture which is still wedded to an outmoded honour culture. In effect, far from being novel and subversive, these roles for women actually underwrote the ambient cultural disapproval of women's presence in the workforce. Samet later connects this highly-conditional independence with the liberation of Afghan women, which:
is inarguably one of the more palatable outcomes of our invasion, and the protection of women's rights has been invoked on the right and the left as an argument for staying the course in Afghanistan. How easily consequence is becoming justification. How flattering it will be one day to reimagine it as original objective.
Samet has ensured her book has a predominantly US angle as well, for she ends her book with a chapter on the pseudohistorical Lost Cause of the Civil War. The legacy of the Civil War is still visible in the physical phenomena of Confederate statues, but it also exists in deep-rooted racial injustice that has been shrouded in euphemism and other psychological devices for over 150 years. Samet believes that a key part of what drives the American mythology about the Second World War is the way in which it subconsciously cleanses the horrors of brother-on-brother murder that were seen in the Civil War. This is a book that is not only of interest to historians of the Second World War; it is a work for anyone who wishes to understand almost any American historical event, social issue, politician or movie that has appeared since the end of WW2. That is for better or worse everyone on earth.

29 December 2022

Chris Lamb: Favourite books of 2022: Memoir/biography

In my two most recent posts, I listed the fiction and classic fiction I enjoyed the most in 2022. I'll leave my roundup of general non-fiction until tomorrow, but today I'll be going over my favourite memoirs and biographies, in no particular order. Books that just missed the cut here include Roisin Kiberd's The Disconnect: A Personal Journey Through the Internet (2019), Steve Richards' The Prime Ministers (2019) which reflects on UK leadership from Harold Wilson to Boris Johnson, Robert Graves Great War memoir Goodbye to All That (1929) and David Mikics's portrait of Stanley Kubrick called American Filmmaker.

Afropean: Notes from Black Europe (2019) Johny Pitts Johny Pitts is a photographer and writer who lives in the north of England who set out to explore "black Europe from the street up" those districts within European cities that, although they were once 'white spaces' in the past, they are now occupied by Black people. Unhappy with the framing of the Black experience back home in post-industrial Sheffield, Pitts decided to become a nomad and goes abroad to seek out the sense of belonging he cannot find in post-Brexit Britain, and Afropean details his journey through Paris, Brussels, Lisbon, Berlin, Stockholm and Moscow. However, Pitts isn't just avoiding the polarisation and structural racism embedded in contemporary British life. Rather, he is seeking a kind of super-national community that transcends the reductive and limiting nationalisms of all European countries, most of which have based their national story on a self-serving mix of nostalgia and postcolonial fairy tales. Indeed, the term 'Afropean' is the key to understanding the goal of this captivating memoir. Pitts writes at the beginning of this book that the word wasn't driven only as a response to the crude nativisms of Nigel Farage and Marine Le Pen, but that it:
encouraged me to think of myself as whole and unhyphenated. [ ] Here was a space where blackness was taking part in shaping European identity at large. It suggested the possibility of living in and with more than one idea: Africa and Europe, or, by extension, the Global South and the West, without being mixed-this, half-that or black-other. That being black in Europe didn t necessarily mean being an immigrant.
In search of this whole new theory of home, Pitts travels to the infamous banlieue of Clichy-sous-Bois just to the East of Paris, thence to Matong in Brussels, as well as a quick and abortive trip into Moscow and other parallel communities throughout the continent. In these disparate environs, Pitts strikes up countless conversations with regular folk in order to hear their quotidian stories of living, and ultimately to move away from the idea that Black history is defined exclusively by slavery. Indeed, to Pitts, the idea of race is one that ultimately restricts one's humanity; the concept "is often forced to embody and speak for certain ideas, despite the fact it can't ever hold in both hands the full spectrum of a human life and the cultural nuances it creates." It's difficult to do justice to the effectiveness of the conversations Pitts has throughout his travels, but his shrewd attention to demeanour, language, raiment and expression vividly brings alive the people he talks to. Of related interest to fellow Brits as well are the many astute observations and comparisons with Black and working-class British life. The tone shifts quite often throughout this book. There might be an amusing aside one minute, such as the portrait of an African American tourist in Paris to whom "the whole city was a film set, with even its homeless people appearing to him as something oddly picturesque." But the register abruptly changes when he visits Clichy-sous-Bois on an anniversary of important to the area, and an element of genuine danger is introduced when Johny briefly visits Moscow and barely gets out alive. What's especially remarkable about this book is there is a freshness to Pitt s treatment of many well-worn subjects. This can be seen in his account of Belgium under the reign of Leopold II, the history of Portuguese colonialism (actually mostly unknown to me), as well in the way Pitts' own attitude to contemporary anti-fascist movements changes throughout an Antifa march. This chapter was an especial delight, and not only because it underlined just how much of Johny's trip was an inner journey of an author willing have his mind changed. Although Johny travels alone throughout his journey, in the second half of the book, Pitts becomes increasingly accompanied by a number of Black intellectuals by the selective citing of Frantz Fanon and James Baldwin and Caryl Phillips. (Nevertheless, Jonny has also brought his camera for the journey as well, adding a personal touch to this already highly-intimate book.) I suspect that his increasing exercise of Black intellectual writing in the latter half of the book may be because Pitts' hopes about 'Afropean' existence ever becoming a reality are continually dashed and undercut. The unity among potential Afropeans appears more-and-more unrealisable as the narrative unfolds, the various reasons of which Johny explores both prosaically and poetically. Indeed, by the end of the book, it's unclear whether Johny has managed to find what he left the shores of England to find. But his mix of history, sociology and observation of other cultures right on my doorstep was something of a revelation to me.

Orwell's Roses (2021) Rebecca Solnit Orwell s Roses is an alternative journey through the life and afterlife of George Orwell, reimaging his life primarily through the lens of his attentiveness to nature. Yet this framing of the book as an 'alternative' history is only revisionist if we compare it to the usual view of Orwell as a bastion of 'free speech' and English 'common sense' the roses of the title of this book were very much planted by Orwell in his Hertfordshire garden in 1936, and his yearning of nature one was one of the many constants throughout his life. Indeed, Orwell wrote about wildlife and outdoor life whenever he could get away with it, taking pleasure in a blackbird's song and waxing nostalgically about the English countryside in his 1939 novel Coming Up for Air (reviewed yesterday).
By sheer chance, I actually visited this exact garden immediately to the publication of this book
Solnit has a particular ability to evince unexpected connections between Orwell and the things he was writing about: Joseph Stalin's obsession with forcing lemons to grow in ludicrously cold climates; Orwell s slave-owning ancestors in Jamaica; Jamaica Kincaid's critique of colonialism in the flower garden; and the exploitative rose industry in Colombia that supplies the American market. Solnit introduces all of these new correspondences in a voice that feels like a breath of fresh air after decades of stodgy Orwellania, and without lapsing into a kind of verbal soft-focus. Indeed, the book displays a marked indifference towards the usual (male-centric) Orwell fandom. Her book draws to a close with a rereading of the 'dystopian' Nineteen Eighty-Four that completes her touching portrait of a more optimistic and hopeful Orwell, as well as a reflection on beauty and a manifesto for experiencing joy as an act of resistance.

The Disaster Artist (2013) Greg Sestero & Tom Bissell For those not already in the know, The Room was a 2003 film by director-producer-writer-actor Tommy Wiseau, an inscrutable Polish immigr with an impenetrable background, an idiosyncratic choice of wardrobe and a mysterious large source of income. The film, which centres on a melodramatic love triangle, has since been described by several commentators and publications as one of the worst films ever made. Tommy's production completely bombed at the so-called 'box office' (the release was actually funded entirely by Wiseau personally), but the film slowly became a favourite at cult cinema screenings. Given Tommy's prominent and central role in the film, there was always an inherent cruelty involved in indulging in the spectacle of The Room the audience was laughing because the film was astonishingly bad, of course, but Wiseau infused his film with sincere earnestness that in a heartless twist of irony may be precisely why it is so terrible to begin with. Indeed, it should be stressed that The Room is not simply a 'bad' film, and therefore not worth paying any attention to: it is uncannily bad in a way that makes it eerily compelling to watch. It unintentionally subverts all the rules of filmmaking in a way that captivates the attention. Take this representative example:
This thirty-six-second scene showcases almost every problem in The Room: the acting, the lighting, the sound design, the pacing, the dialogue and that this unnecessary scene (which does not advance the plot) even exists in the first place. One problem that the above clip doesn't capture, however, is Tommy's vulnerable ego. (He would later make the potentially conflicting claims that The Room was both an ironic cult success and that he is okay with people interpreting it sincerely). Indeed, the filmmaker's central role as Johnny (along with his Willy-Wonka meets Dracula persona) doesn't strike viewers as yet another vanity project, it actually asks more questions than it answers. Why did Tommy even make this film? What is driving him psychologically? And why and how? is he so spellbinding? On the surface, then, 2013's The Disaster Artist is a book about the making of one the strangest films ever made, written by The Room's co-star Greg Sestero and journalist Tom Bissell. Naturally, you learn some jaw-dropping facts about the production and inspiration of the film, the seed of which was planted when Greg and Tommy went to see an early screening of The Talented Mr Ripley (1999). It turns out that Greg's character in The Room is based on Tommy's idiosyncratic misinterpretation of its plot, extending even to the character's name Mark who, in textbook Tommy style, was taken directly (or at least Tommy believed) from one of Ripley's movie stars: "Mark Damon" [sic]. Almost as absorbing as The Room itself, The Disaster Artist is partly a memoir about Thomas P. Wiseau and his cinematic masterpiece. But it could also be described as a biography about a dysfunctional male relationship and, almost certainly entirely unconsciously, a text about the limitations of hetronormativity. It is this latter element that struck me the most whilst reading this book: if you take a step back for a moment, there is something uniquely sad about Tommy's inability to connect with others, and then, when Wiseau poured his soul into his film people just laughed. Despite the stories about his atrocious behaviour both on and off the film set, there's something deeply tragic about the whole affair. Jean-Luc Godard, who passed away earlier this year, once observed that every fictional film is a documentary of its actors. The Disaster Artist shows that this well-worn aphorism doesn't begin to cover it.

23 December 2022

Louis-Philippe V ronneau: 2022 A Musical Retrospective

With the end of the year approaching fast, I thought putting my year in retrospective via music would be a fun thing to do. Albums In 2022, I added 51 new albums to my collection nearly one a week! I listed them below in the order in which I acquired them. I purchased most of these albums when I could and borrowed the rest at libraries. If you want to browse though, I added links to the album covers pointing either to websites where you can buy them or to Discogs when digital copies weren't available1. Browsing through the albums, I can see my tastes really shifted a lot in the last few years. I used to listen to a lot of Hip-Hop, but the recent trends in this genre2 really turn me off. In fact, it seems I didn't add a single Hip-Hop album to my collection this year... Metal also continues to dominate the list. Many thanks to Angry Metal Guy for being the best metal reviewing website out there. Concerts 2022 was also a big change for me, as I started going to much more concerts than I previously did. metalfinder has been working great and I'm really happy with it. Here are the concerts I went to in 2022: I'm looking forward continuing to go to a lot of concerts in 2023!

  1. Some of the albums especially the O ! ones are pretty underground. For most of those, I actually have physical copies I bought and ripped.
  2. Mostly mumble rap, beats than are less and less sample-based, extreme commercialisation and lyrics that are less and less political and engaged.

14 December 2022

Russ Allbery: Review: Contact

Review: Contact, by Carl Sagan
Publisher: Pocket Books
Copyright: 1985
Printing: October 1986
ISBN: 0-671-43422-5
Format: Mass market
Pages: 434
Contact is a standalone first-contact science fiction novel. Carl Sagan (1934 1996) was best known as a non-fiction writer, astronomer, and narrator of the PBS non-fiction program Cosmos. This is his first and only novel. Ellie Arroway is the director of Project Argus, a radio telescope array in the New Mexico desert whose primary mission is SETI: the search for extra-terrestrial intelligence by scanning the skies for unexpected radio signals. Its assignment to SETI is controversial; there are radio astronomy projects waiting, and although 25% of the telescope time is assigned to non-SETI projects, some astronomers think the SETI mission should be scrapped and Argus fully diverted to more useful research. That changes overnight when Argus picks up a signal from Vega, binary pulses representing the sequence of prime numbers. The signal of course doesn't stop when the Earth rotates, so Ellie and her team quickly notify every radio observatory they can get hold of to follow the signal as it passes out of their line of sight. Before long, nearly every country with a radio telescope is involved, and Russian help is particularly vital since they have ship-mounted equipment. The US military and intelligence establishment isn't happy about this and make a few attempts to shove the genie back into the bottle and keep any further discoveries secret, without a lot of success. (Sagan did not anticipate the end of the Cold War, and yet ironically relations with the Russians in his version of the 1990s are warmer by far than they are today. Not that this makes the military types any happier.) For better or worse, making sense of the alien signal becomes a global project. You may be familiar with this book through its 1997 movie adaptation starring Jodie Foster. What I didn't know before reading this book is that it started life as a movie treatment, co-written with Ann Druyan, in 1979. When the movie stalled, Sagan expanded it into a novel. (Given the thanks to Druyan in the author's note, it may not be far wrong to name her as a co-author.) If you've seen the movie, you will have a good idea of what will happen, but the book gives the project a more realistic international scope. Ellie has colleagues carefully selected from all over the world, including for the climactic moment of the story. The biggest problem with Contact as a novel is that Sagan is a non-fiction writer who didn't really know how to write a novel. The long, detailed descriptions of the science and the astronomical equipment fit a certain type of SF story, but the descriptions of the characters, even Ellie, are equally detailed and yet use the same style. The book starts with an account of Ellie's childhood and path into science written like a biography or a magazine profile, not like a novel in which she's the protagonist. The same is true of the other characters: we get characterization of a sort, but the tone ranges from Wikipedia article to long-form essay and never quite feels like a story. Ellie is the most interesting character in the book, partly because the way Sagan writes her is both distant but oddly compelling. Sagan (or perhaps Druyan?) tries hard to show what life is like for a woman born in the middle of the 20th century who is interested in science and I think mostly succeeds, although Ellie's reactions to sexism felt weirdly emotionless. The descriptions of her relationships are even odder and the parts where this book felt the least like a novel, but Sagan does sell some of that tone as reflective of Ellie's personality. She's a scientist, the work is the center of her life, and everything else, even when important, is secondary. It doesn't entirely make the writing style work, but it helps. Sagan does attempt to give Ellie a personal development arc related to her childhood and her relationships with her father and step-father. I thought the conclusion to that was neither believable nor anywhere near as important as Sagan thought it was, which was off-putting. Better were her ongoing arguments with evangelical Christians, one of whom is a close-minded ass and the other of which is a far more interesting character. They felt wedged into this book, and I'm dubious a realistic version of Ellie would have been the person to have those debates, but it's a subject Sagan clearly has deep personal interest in and that shows in how they're written. The other problem with Contact as a novel is that Sagan does not take science fiction seriously as a genre, instead treating it as a way to explore a thought experiment. To a science fiction reader, or at least to this science fiction reader, the interesting bits of this story involve the aliens. Those are not the bits Sagan is interested in. His attention is on how this sort of contact, and project, would affect humanity and human politics. We do get some more traditional science fiction near the end of the book, but Sagan then immediately backs away from it, minimizes that part of the story, and focuses exclusively on the emotional and philosophical implications for humans of his thought experiment. Since I found his philosophical musings about agnosticism and wonder and discovery less interesting than the actual science fiction bits, I found this somewhat annoying. The ending felt a bit more like a cheap trick than a satisfying conclusion. Interestingly, this entire novel is set in an alternate universe, for reasons entirely unexplained (at least that I noticed) in the book. It's set in the late 1990s but was written in 1985, so of course this is an alternate future, but the 1985 of this world still isn't ours. Yuri Gagarin was the first man to set foot on the moon, and the space program and the Cold War developed in subtly different ways. I'm not sure why Sagan made that choice, but it felt to me like he was separating his thought experiment farther from our world to give the ending more plausible deniability. There are, at the time of the novel, permanent orbital colonies for (mostly) rich people, because living in space turns out to greatly extend human lifespans. That gives Sagan an opportunity to wax poetic about the life-altering effects of seeing Earth from space, which in his alternate timeline rapidly sped up nuclear disarmament and made the rich more protective of the planet. This is an old bit of space boosterism that isn't as common these days, mostly because it's become abundantly clear that human psychology doesn't work this way. Sadly, rich sociopaths remain sociopaths even when you send them into space. I was a bit torn between finding Sagan's predictions charmingly hopeful and annoyingly daft. I don't think this novel is very successful as a novel. It's much longer than it needs to be and long parts of it drag. But it's still oddly readable; even knowing the rough shape of the ending in advance, I found it hard to put down once the plot properly kicks into gear about two-thirds of the way through. There's a lot in here that I'd argue with Sagan about, but he's thoughtful and makes a serious attempt to work out the political and scientific ramifications of such a discovery in detail. Despite the dry tone, he does a surprisingly good job capturing the anticipation and excitement of a very expensive and risky scientific experiment. I'm not sure I would recommend this book to anyone, but I'm also the person who found Gregory Benford's Timescape to be boring and tedious, despite its rave reviews as a science fiction novel about the practice of science. If that sort of book is more your jam, you may like Contact better than I did. Rating: 6 out of 10

10 December 2022

Russ Allbery: Review: Trust

Review: Trust, by Mary Sisson
Series: Trang #2
Publisher: Mary Sisson
Copyright: 2012
Printing: December 2013
ASIN: B0087KQDQ0
Format: Kindle
Pages: 375
Trust is a direct sequel to Trang and should not be read out of order. Both the primary and secondary plot deal with the consequences of the ending of Trang and thus spoil it heavily. After a dodgy and unethical debriefing under mental probe (which took far too long to become relevant to the story) Philippe Trang is back at work as the human diplomat to a space station full of aliens in intergalactic space. At first, interspecies relations have not changed much, but soon Philippe will be drawn farther into the consequences of Trang's dramatic conclusion than he would have expected. And there are other complications: a new group of Special Forces soldiers, an extremely grumpy alien who disapproves of his species' current culture, and the continuing incomprehensible behavior of the Magic Man. I was hoping this series would be a hidden gem of diplomatic SF, a subgenre that I want to exist. Unfortunately, this entry takes a strong turn towards more conventional territory: a Star Trek plot. One of the merits of the first novel is that Trang, and the humans in general, didn't have much power. Humans were meeting aliens as equals or inferiors, and both sides were attempting to understand. Although the humans became central to the plot (probably unavoidable when they're the protagonists), it was somewhat by accident. I was hoping Sisson would lean into that setup, stress the equal footing, and focus on the complex diplomacy. Instead, Trust puts Trang in a position of considerable authority over one of the alien races. Like most Star Trek plots, this book is primarily about mapping strange alien behavior onto human morality to solve the problem of the week. As an entry in that genre, it's... okay. I still like Trang as a character, Sisson does an adequate job showing how weird aliens can be (although mostly by jumbling together extremes of human behavior instead of finding something truly alien), and the opinions of the aliens continue to matter. But I feel like this series is sliding towards making the humans central to everything, and I was not enthused by a plot that requires Trang sort out complex political problems for an entire alien race he knows next to nothing about. This book also adds more viewpoints, giving us several chapters from the perspective of one of Trang's escort soldiers and one from one of the aliens. I liked the alien perspective; it was probably the best chapter of the book. Seeing the human characters from an external perspective was amusing, and I liked how both the humans and the aliens surprised and confused each other. That said, it also felt like a bit of a cheat to tell the reader about the cultural forces at play that Trang was missing. I already thought Trang was being exceptionally dim about the alien gifts he was given, pocketing them without attempting to understand them and then never studying them later. Being shown more things he should have tried to figure out didn't help. You're a diplomat in an extended first contact situation: please have some basic curiosity about what's going on and talk it over with the people around you, rather than treating aliens like children. The soldier perspective adds a secondary plot that was okay but a bit silly, and I'm not sure why Sisson needed to introduce a second perspective to tell it. I think the same secondary plot would have been more interesting if she'd stuck with Trang's perspective and forced him to reconstruct what had been happening when he wasn't paying attention. As is, the plot relied too much on people being stupid and not talking to each other. There was nothing seriously wrong with this book, but it's also not fulfilling the potential of the first book of the series. It felt like okay self-published science fiction; that's not nothing, but there are a lot of books like that, and I wanted diplomatic science fiction that goes somewhere different. I may give the third book a chance, but I'm feeling less enthused now. Followed by Tribulations. Rating: 6 out of 10

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